Mumbai Can Dance Saala desperately works towards portraying Tarannum as a harmless victim. Never mind the intent, the execution is so unbearably silly that you don’t give a damn about Tarannum or her sob story. The film is so excruciatingly boring that it might change the opinion of those who were against the shutting down of dance bars.

Bar dancer Tarannum Khan financed C-grade movies at her prime, only to have an F-grade film “loosely based” on her made a decade later.
…if this is a sign of things to come in 2015, I might consider alternate career options.