There are a few saving graces like Sameer Arya’s camera work and Shankar Ehsan Loy’s compositions in numbers like Khushfehmiyan and Kaboom. But there’s no way the story or its dismal execution is going to impress anyone. Forget one by two; you wouldn’t digest a sip of this amateur concoction.

One By Two offers one of the least insightful and most shallow portraits of India’s urban youth. If the upcoming generation of Indian men is really like the ones in the film, I predict a sharp and dramatic rise in the country’s lesbian population in the next census survey.

Devika Bhagat makes a confident debut as director but her narrative style, like her story and screenplay, would appeal to a very limited audience only. Shankar-Ehsaan-Loy’s music score is rather good but it is more class-appealing than mass-appealing.

Of all the genres that Bhagat dips into for the mish-mash that is One By Two, the gross-out American comedy was an ill-advised choice.

Though it seems that the story line of the film is bit complicated, the characterization of every protagonist is perfect. The characters of the film are well-suited and realistic.