Celebrating the ‘can do’ spirit, Tomorrowland is a futuristic fantasy worthy of Steven Spielberg in his prime. So go ahead, be amazed.

With the narrative shifting between various dimensions and story shifting gears, the film suffers from uneven storytelling. There are dull periods in between where the action sags and your attention wanders. George Clooney, on whose name the film is being sold, doesn’t really enter the action till very late.

Tomorrowland is an ambitious, sprawling tale involving different generations, time travel and visions of the future. If there’s one simple fact that the film clearly establishes during its expansive run-time, it is that humanity’s collective actions will have a direct impact on the days and years to come.

There is action, adventure, science fiction and some serious themes about man kind’s survival. An interesting and a very optimistic point is made amidst all the gloom and doom as see and hear of in real life. Brad Bird may not have an answer but he does have an idea which is the premise of the film.

The film is also fast paced, and there’s a fair amount of action as well so it’s never boring as such. It’s just that there’s nothing beyond the surface, and that’s a major step down from a filmmaker who brought us ‘Ratatouille’ and ‘The Incredibles’.

Unlike other films that speak about dystopian societies, “Tomorrowland” has a very positive and optimistic approach. Visually, the film is bright and cheerful thanks to cinematographer Claudio Miranda’s brilliant camera work, production designer Scott Chambliss’s fine production output and music composer Michael Giacchino’s elevating background score.

The only issue is that though the film ends on a very upbeat note, it does not offer any solutions to the issues it raised.

Unlike other films that speak about dystopian societies, ‘Tomorrowland’ has a very positive and optimistic approach. Visually, the film is bright and cheerful thanks to cinematographer Claudio Miranda’s brilliant camera work, production designer Scott Chambliss’s fine production output and music composer Michael Giacchino’s elevating background score.