محمد المطيري

Raees2017

OMG! wow. This is called a true Bollywood film.which can never be in Hollywood movies. Raees has uniqueness in every frame. Marvelous terrific. Loved each and every scene. It's really breath taking to see both superb actors share screen space - SRK & Nawaz u guys killed it / Nailed it. Great Acting. Great Direction. Great Cinematography.Great Music. Great Background score make it a must must watch movie. Go for it guys. The performances in RAEES are consistently remarkable. Shah Rukh is the scene-stealer as well as the show-stealer. Cast in a character that has grey shades, the film brings back memories of his award-worthy acts at the commencement of his career. Nawazuddin matches his co-star's brilliance and delivers a magnificent performance. Both, SRK and Nawazuddin's performances keep you invested in the storyline as well as the characters. Mahira Khan looks gorgeous and handles her part with confidence. Don't Miss it. Its a must must watch

Kaabil2017

Kaabil Directed By Sanjay Gupta is an Action Thriller. Script is Well Written With Minor Flaws. Screenplay is boring in The First Half, Second Half is not have a logic Cinematography is Praiseworthy. Action & Dialogues Are not by ood. Direction is anothr bad film from Sanjay Gupta Movies. Rohan Bhatnagar(Hrithik Roshan) A Dubbing Artist is A Blind Man. He Meets Supriya(Yami Gautam) A Blind Girl. They Fall in Love & Finally Get Married. Amit Shellar(Rohit Roy) Along With Wasim(Sahidur Rehman) Physically Assault Supriya. Rohan Takes Help From The Cops, But Nothing Works. Supriya is Again Raped, She Commits Suicide. Rohan Plans & Executes Something Which is Scenes, Chemistry is Incredible Between The Two. Ronit Roy is Just Fine, Lacks The Depth in The Character. Rohit Roy is A Poor Actor. Narendra Jha & Girish Kulkarni Both Did Well. Music By Rajesh Roshan is Melodious. Title Track By Jubin Nautiyal & Palak Muchhal And "Kuch Din" By Jubin Nautiyal Are The Better Compositions From The Movie.

Kal Ho Naa Ho2003

For all those who want to know whether Kal Ho Naa Ho is a remake of Hrishikesh Mukherjee's Anand, the answer is yes. And no. Shah Rukh Khan's character (Aman) is largely inspired by Rajesh Khanna's happy-go-lucky charmer in Anand. But on the whole, Kal Ho Naa Ho is as different as they come. The film kicks off with Manhattan resident Naina Catherine Kapur (Preity Zinta) narrating the story of her life over her daily morning jog. Don't Miss! The characters in Naina's life are introduced with the same energy that Naina puts into her jog. There is her mom Jennifer (Jaya Bachchan in jeans), who shares a love-hate relationship with her mother-in-law Sushma Seth (at her loudest Punjabi best). Mommy runs a flop restaurant. Grandmother is a flop singer. Together they are chaos. Enough reason for Naina to turn into a boring, bespectacled spinster type who takes life too seriously. The only interesting person in Naina's life is buddy Rohit Patel (Saif Ali Khan). He is uncool with women but thinks he is cool. He is also a typical Gujarati, whose father (Satish Shah) runs a business called Dial A Dhokla. Enter funny guy Aman, who turns out to be the proverbial angel in Naina's life. He is Dale Carnegie-Jim Carrey-Richard Gere-Deepak Chopra all rolled into one. He zooms into Naina's neighbourhood singing Pretty woman and woos everyone in sight, including uppity Naina. Naina hates him at first sight, but can't help being overwhelmed by Aman's charm. Even Rohit takes tips from Aman on how to be cool and influence people. Life is a song and dance till the interval. And After that everything is mystery, lol what? This is indeed a breathtaking movie! Go and watch instead of watching silly bollywood movies!

Main Hoon Na2004

Main Hoon Na is a completely crazy and an extremely entertaining flick. Done with much comedy and funny action (and a little bit of insignificant drama), this one is a film that can be watched again and again and still be an absolute treat. The film has a story, and the greatest thing about it is that it actually does not even matter. This film is made for fun, and succeeds thoroughly for that purpose. And what does it have to work as much as it did? Well, it has a Shahrukh Khan (sorry, The Shahrukh Khan), two cool youngsters (Zayed Khan and Amrita Rao), a sexy and classy chemistry teacher (Sushmita Sen), a hilarious spit-spraying teacher (Satish Shah), another funny elderly teacher (Bindu), and a motherly, warm Kirron Kher. Shahrukh is as always great and is fairly restrained in this role, Sushmita is damn too hot to handle, Zayed and Amrita suit their parts, Kirron is lovable as usual, Satish Shah and Bindu will have you floored, and Sunil Shetty will annoy you as he does in most of his films. The film has an amazing soundtrack with many catchy songs composed by Anu Malik. It has a twisted, messy and senseless story that manages to provide utmost fun and pastime, and it has many great and heart-warming moments. It flows very well throughout with all the nice songs and the rather humorous proceedings. Films are made mainly to entertain us. This film does not take itself too seriously and it is not to be taken seriously. It has some inexplicable and genuine sense of fun, and as such, can be rightfully called a successful, special and very profound Hindi entertainment

Tamasha2015

The film begins with an act of a ‪Tamasha‬ whereby we get introduced to a joker who is laughing at a robot having stuck between Dil & Duniya. The robot symbolizes most of us, our mechanical existence whereby we are killing our dreams each passing day by being unwillingly part of a routine life which we abhor but then we need the money.. The stage is set for another Imtiaz Ali extravaganza ----- On analyzing Imtiaz Ali film we can see he has an inclination towards characters that are aberrations to societal rules and traditions. They are not anti-social or asocial but are non-conformist in nature. Be it mild nature Viren Oberoi from Socha Na Tha or cutely hyper Geet from Jab We Met or rebellious Janarthan from Rockstar his protagonists are different who antics influences their contradictory counterparts thus shaping into an unusual love-story. And for someone like me who distants himself from mushy romance are attracted by Imtiaz Ali's characters who comes across as free-spirited and hatke. With Tamasha he brings back his non-conformist lead in the form of Ved but unlike Janarthan Ranbir Kapoor's character is an apparently soft- spoken dreamer who is a byproduct of materialistic societal existence. He is bored & wants to get rid of his mundane daily life which brings him closer to a bipolar personality. Well I guess majority of us can connect with him as he webs several stories and lives each of them in his mind. The world of dreams kind of gives him a freedom and there begins a fairy tale journey which culminates into self-actualization with Ved realizing his potential through the eyes of Tara Maheshwari. Last month Vikas Behl tried to narrate a similar tale but the surreal setting and quirky humour boomeranged. Imtiaz Ali tried the same story but gave it a dark & poetic tone, dealing with the complexities of human emotions. Ali dares to experiment with the narrative as it goes past, present and future as he paints 3 phases of Ved's life. He dexterously uses mirrors and shadows (as props) to reflect the inner conflict of the central character. In several sequences he proved why he is one of the finest directors around. One of my fav is the repeated scenes with cut shots of the following frames - his alarm clock waking him in the morning, brushing teeth, having breakfast, getting stuck in traffic, getting into office lift, swapping his card and settling at his cubicle. The gloominess of monotony and monstrosity of lifeless survival is effectively displayed which probably haunts 90% of those watching the film. Ali deserved accolades for many sequences like the one in an auto which leads to "wattu watu" songs is creative or the one where he confronts his father "lecture" on responsibility and blah blah blah... Ved's blabbering in client presentation or the scene where he confronts his boss. But honestly few frames looked manipulative and the one where his father's heart showed a change in the pre-climax seemed hurried and badly written. Ranbir simply puts his teeth into the role and proves why he is one of the best actors around. He should be also applauded for choosing this film. The complexity of bipolar Ved comes alive through him and the vulnerability of the character could be felt. Personally I wish this film at least works in the BO to give him confidence to select more bolder scripts. Deepika Padukone is one actress who had simply taken all the criticisms seriously in her early stage of career. Over the years she has improved a lot and after Piku this is another performance for her to cheer. Piyush Mishra's voice has a narrator is an apt one for a script which deals with human ambiguity. A.R Rehman's music, Ravi Verman's cinematography and Aarti Bajaj's editing compliments Ali's vision. Tamasha is not for those who are looking for a popcorn rom-com, but it is not a pessimistic film either. What make me delighted about Tamasha is that it hits on the plastic "holier than thou" society & urges people never to lose the child within one and try to follow one's heart. I couldn't dare to follow my heart but at least I can surely say that the child within me is very much alive And as the story-teller old man (a brilliant Piyush Mishra in a cameo) confronts Ved he gives a valuable life-lesson - there is no point in cribbing, end-of-the-day it is your own story and you have to find a resolution. Indeed, the pursuit of happiness continues

Love Aaj Kal2009

No story no screenplay just good acting song and diraction