• Meghna Gulzar’s Talvar is a disturbing revisiting of the Aarushi-Hemraj murders, one that might just see the public memory digging the remnants of the case out from the depths of oblivion. In all, Talvar needs to be watched, for its performances among other things.

  • At the end of the day, the guys behind The Martian do know that nitpicking cannot spoil an out-and-out thrilling ride to Mars. You’ve got to give it to them. Go book your trip to Mars this week. And guess what, you’ll have a better shot at survival there than Watney. You don’t need to get hydrogen and oxygen to create water any longer… Mars will take care of that.

  • Akshay Kumar needs to do more of these high-action roles. And not necessarily the mindless action. Watch Brothers for the kicks, punches, grappling, chocking and the un-understandable MMA jargon. You’ll come out with the Akshay you want to see, hopefully. Welcome back to the cage, Khiladi Kumar!

  • In all, despite the occasional slackening of pace, Masaan deserves a standing ovation. And more than just one watch. Masaan does with you what spring does with Neruda’s cherry trees.

  • In all, Bajrangi Bhaijaan works for both a Salman fan and a non-fan. The film is essentially make-believe, but you want to believe. Therefore, even as Pakistan and India violate ceasefire and fire mortar shells at each other, somewhere you want to believe that a Bajrangi can cross borders for love.

  • It is one of those rare films where you need to pacify your Attention-Deficit-Disorder-ed self because you don’t want to leave the theatre without seeing the end credits roll. In all, this week’s big release is a lovely watch, and will leave you by saying, ‘Naach Meri Jaan!’

  • …the sequel deserves a watch for the sheer brilliance that it is, and the way Kangana has nailed her roles. Go watch Ranaut’s utterly saaxy swagger!

  • …doesn’t match up to the expectations one had from it. Despite all the grandiosity, one needs to be well-equipped in patience in order to savour the film. The external embellishments render the film quite heavy. It teeters on the edge, but ultimately manages to sail through. Bombay Velvet is grand, exquisite, elaborate … and deserves a watch for Kashyap’s style.

  • …the film is brilliant for its own reasons. And one needs to watch it, irrespective of who says what. This weekend, take a trip to the Marvel world. Leave the dilemma outside the theatre.

  • There are films that leave such an impact on you that one wonders whether he/she should even write a review for it. Vikramaditya Motwane’s ‘Lootera’ is one such film. Calling it a film would probably be a deep injustice to it – it is nothing short of poetry on celluloid. ‘Lootera’ puts a dagger through the heart, makes it bleed profusely and then smears the elixir called love all over it.

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