• Kabir Singh spends 120 minutes of its 154 in showing Kabir either drinking or drunk or snorting cocaine or needling in morphine or fighting with people or, slapping his girlfriend or screaming at her. Or making out. In the remaining 24 minutes, his repentance is done with, and we all go home with a happy ending. If you think it is okay, if you think it is justified because ‘movie hai yaar, it’s not real life’, you are part of the problem.

  • Bharat has its own share of problems, beginning with the near-three-hour runtime. But when people wait a year for a Salman Khan Eid release, can you really blame the superstar for giving his fans their larger-than-life hero in an out-and-out entertainer, replete with song and dance?

    Don’t go looking for logic in a Salman Khan film. Upar Allah, neeche dharti, beech mein… tera junoon.

  • The problem with India’s Most Wanted is also its twist. Anyone who has been to Nepal and the places where the film takes you, can already sense there’s something amiss. The landmark referred to in one of the film’s crucial scenes is a giveaway. So when the twist actually arrives, it is a little too late.

  • Vivek Oberoi plays PM Narendra Modi in the biopic of the Indian Prime Minister, and he does a mighty unimpressive job at that. The biopic fades in front of the story of Modi the man that we have seen in front of our eyes.

  • Kalank is the tale of forbidden love and star-crossed lovers. Alia Bhatt, Varun Dhawan, Madhuri Dixit, Sanjay Dutt, Aditya Roy Kapur and Sonakshi Sinha star in a film that deserves a watch ONLY for its visual extravaganza.

  • The main star of the film is its music. The many artistes who are credited for the music of the film do a classy job with the soundtrack. If Ranveer Singh is the life of Gully Boy, the music is its soul. The lyrics, the beats all scream revolution. Azadi. Hindustan gets its asli hip hop in a Bollywood film.

    In all, it fails to rise.

    Apna time aayega. But today is not the day.

  • Sonam Kapoor and Anil Kapoor, along with writer Gazal Dhaliwal and director Shelly Chopra Dhar, deliver a brilliant lesbian love story that Bollywood should be proud of.

  • The film takes off for Mars but gets its trajectory terribly wrong…

  • Kedarnath starring Sushant Singh Rajput marks the big Bollywood debut of star kid Sara Ali Khan. The film is directed by Abhishek Kapoor. Actors Sara and Sushant shine in Kedarnath but the film drowns, says our review.

  • There is hardly anything in the film that justifies the two-year wait that Aamir Khan made his fans go through. That is the problem of being a good actor with a nose for good scripts. Aamir Khan has built his reputation on good scripts. All of that is missing in his latest outing.

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