Ek Ladki Ko Dekha Toh Aisa Laga Reviews
Ek Ladki Ko Dekha Toh Aisa Laga is a respectable directing debut from Dhar, and a film with its heart in the right place. The writing ought to have been braver. That would’ve made this film something worth crowing about; a film as memorable as the one whose iconic romantic song inspired this title.
What it comes down to is this: yes, we want to make a progressive film, but we have to show our women getting freed up only after getting male approval-and-help.
Ek Ladki Ko Dekhi Toh Aisa Laga concedes the unlikelihood of entertainment to change bigoted minds. When Sweety performs in Sahil’s play, we see disgusted and intolerant audiences get up and leave. Yet I was struck by the image of an old man, sobbing as he leans on the empty bench in front of him, reserved for VIPs who have left. There will be plenty who leave their seats unconvinced, but this film will make some wonder — many of whom may never have considered it. This could have been a bolder and more explicit film, but sometimes cinema should work like a street play. Sometimes we need to preach beyond the choir.
Ek Ladki Ko Dekha Toh Aisa Laga wishes to lend itself as a significant voice of change and support towards the LGBT community, but its woefully apologetic tone regarding individual choices repeatedly negates it when characters -- both traumatised and enlightened -- spew things like, 'Yeh janam se hi aise hai' or 'I wish I was normal'.Funny how a woman can fall in love with another woman and still need a man to ensure she gets her happy ending.That's normal enough for Bollywood.
Ek Ladki Ko Dekha... goads the audience to think differently without trying to deviate from its primary purpose, which is to deliver entertainment. It does the latter well enough and yet does not overly dilute its off-kilter vision. No mean feat that.
Writer-director Shelly Chopra Dhar and co-writer Gazal Dhaliwal (who previously wrote Irrfan’s 'Qarib Qarib Singlle') manage to spark off some pretty interesting ideas of love. Yes, their film deals with sexuality and seeking acceptance from the older and more-conservative family members, but at the core, 'ELKDTAL' talks about love being a universal feeling, one that cannot be shackled by societal norms and diktats. The writing isn’t all top-grade, but this film has its heart in the right place and sometimes that's all that really matters.
What works for Dhar’s film are the honest performances, especially by the reliable Kapoor and Rao, who inject the film with energy. That energy is solely lacking in Kapoor Ahuja, who puts in a rather insipid performance as a young woman trapped in her identity and desperate for a way out. Not that the script affords her much, but even with what she has, she squanders the chance to depict the real struggle of women in small-town India and the prejudices they must deal with daily. She is the film’s weakest link, and the reason why this story falls short.
DO NOT MISS 'Ek Ladki Ko Dekha Toh Aisa Laga'. Let's take this story to the smallest of towns. Let the Sweetys in every village and every town know that they are normal!
Sonam Kapoor and Anil Kapoor, along with writer Gazal Dhaliwal and director Shelly Chopra Dhar, deliver a brilliant lesbian love story that Bollywood should be proud of.
Ek Ladki Ko Dekha Toh Aisa Laga is entertaining as a film but fails to live up to the huge promises made by the promos. A brave attempt and full marks for the implementation. The very strong supporting cast and uproarious dialogues keep you attracted towards it.
The underrated Abhishek Duhan is impeccable as Sweety's brother. But the lasting memory from Ek Ladki Ko Dekha Toh Aisa Laga is of Anil taking a scene that could have been maudlin, insufferable and loud, and turning it into a heart-wrenching passage of acceptance, self-realisation and personal growth. Ek Veteran Ko Dekha Toh Aisa Laga...
Debutant director Shelly Chopra Dhar's Ek Ladki Ko Dekha Toh Aisa Laga is an interesting romance tale with a social message, where love blossoms at a wedding and culminates on the stage of a theatrical performance.
This one may not achieve what 3 Idiots did for parents of engineering students with non-technical passions. But it has the recipe for a light-hearted comedy. Also, it subliminally yet successfully sensitises audiences to the challenges endured by same-sex couples when surrounded by those who refuse to understand or accept them.
Perhaps the overtly righteous sense of cause — no doubt significant and much needed — becomes too much of a burden and gets the better of the filmmaking itself. ELKDTAL might be bringing a “new story” to Bollywood but plays out too flat, lightweight and facile to be of any consequence. Tell us another love story, please.
Ek Ladki moves along on the strength of its progressive theme and some fine performances. Typical Bollywood elements – quirky characters, peppy songs, posh settings, syrupy emotions – are cleverly turned around to encourage us to see love through a different lens. However, the 120-minute movie tries too hard to be funny and heartfelt at the same time (and sometimes in the same scene). The comic bits inspired by the source material always work better than the melodramatic portions.
Audience Reviews for Ek Ladki Ko Dekha Toh Aisa Laga
'Ek Ladki Ko Dekha Toh Aisa Laga' has notes that are only very safe and play them extremely maonstream-manner. All those party songs, all those sangeet sequences, all those amazing costumes which you saw in the film's promos are present and splattered like a plethora of colours throughout the film. It doesn't convince us entirely in these bits. But have you see two girls humming a romantic songs amongst mustard fields, and finding solace in the arms of each other? Yes Shelly Chopra's extremely beautiful 'Ek Ladki Ko Dekha Toh Aisa Laga' does that and tells the story very charmingly. It promises us that their love story will find a way to blossom. And that must be appreciated.
Ek Ladki Ko Dekha To Aisa Laga could have been revolutionary for its basic idea definitely is, but in its current form, owing to an amateur handling by director Dhar and her co-writer Dhaliwal, it "just feels okay" to watch and get it done with. TN.
Safe and slightly superficial
The movie about an lgbt relationship is a bold move indeed. But it would have been braver had more focus would have been shown on the the said lgbt relationship instead. The relationship between the 2 girls is hardly given 5 to 10 minutes of screen time and hardly developed. That being said this movie does bring forward the stigma associated to same sex relationship in light and for a mainstream movie to do that it’s admirable. This is a good movie and can be watched but could have been great had more conviction shown in what the makers are trying to say