Talvar is a film based on the 2008 Noida double murder case, in which a teenage girl and her family servant were found murdered, and her parents were arrested for the murders.Wikipedia
This is essential viewing, if only to understand the world we live in.
The film is as real as a constructed-for-the-camera document can be, with its portrayal of the professional rivalries between the investigating teams, and insatiable media persons.
A tightly-coiled procedural made with such dryness that it seems, in parts, documentarian -- resembling a reenactment more than a feature film -- Talvar is one of those rare films that remains constantly aware of what it is doing and what buttons it is pushing.
Talvar is an intriguing and gripping thriller and boasts of brilliant performances, witty dialogues and much more. You should definitely not miss this one.
There are few fleeting moments towards the end when it seems the scales of sympathy might be tipping in favour of the (now behind bars) parents, and that could be the only weak link in the film, after all the ruthless objectivity displayed thus far. But that doesn’t, even for a second, take away from the fact that the makers have given us a film that is as sharp as its title. Whether or not you have followed the real case, this reel retelling is definitely worth your while.
Talvar is a very well made film -- despite its length and some brief scenes that could have been edited out. But it is also a very uncomfortable film to watch, and that is what makes it so good. A good film should be able to get into our skin, challenge us, shake us up and Talvar does all of that.
More than anything else, what Meghna Gulzar’s Talvar does is bring home that horrifying reality -- that the life you knew could, in a blink, get flushed down the toilet, like an ‘alleged’ murder weapon maybe, never to be seen again.
One of the high points of Talvar is a long climactic sequence in which two investigating teams sit across a table and have a go at each other as they strive, with no holds barred, to get their respective points across. Talvar is a must watch.
Talvar's compared to Rashomon but while that wandered through forests of fantasy, Talvar boldly tackles reality. It offers totally different takes on two murders. But it is unambiguous about a third - fairness, slashed to pieces by incompetence and callous crassness.In wiping away stains from the sword of justice, Talvar shines.
For all its positives, “Talvar” fails to keep that distance, and therefore compromises its ability to be an impartial, unbiased chronicle of what is India’s most sensational murder case.
Talvar is an absolute must-watch not just because it deserves to be seen. It NEEDS to be seen.
Meghna Gulzar's Talvar is a disturbing revisiting of the Aarushi-Hemraj murders, one that might just see the public memory digging the remnants of the case out from the depths of oblivion. In all, Talvar needs to be watched, for its performances among other things.
Meghna Gulzar’s Talvar is one of those rare films where what is being said is much more than what is being shown on the screen. Based on the Aarushi Talwar murder case which was debated and dissected endlessly in the media for quite a while, Talvar tells us of what possibly could have happened on that fateful night. This is our Rashomon.
Overall, it's a well-rehearsed, well-meaning film highlighting the ineptitude of our legal system. You leave the auditorium with the feeling that Aarushi will never get justice, that a re-examination of the way our judiciary functions has become necessary... You feel angry and disillusioned. Maybe things may change if enough people got angry...
TALVAR is not breakthrough cinema. Neither is it exciting or informative. In fact, it leaves a bad taste in the mouth as most in India have seen ad nauseam on national television the 'live' findings of the double murder on a daily basis when the murder rocked the nation in 2008. Same is happening now in the Sheena Bora murder case. I feel the industry could have spared Aarushi and her parents this embarrassment.
It’s an extraordinary feat that Gulzar keeps the finger-wagging at bay, and delivers a sharply scripted and angry look at mishandling of the case.
Audience Reviews for Talvar
'Talvar' is an important film which is gripping at its core and is soaked woth dramaric content. It doesn't try even single bit to sensationalize what is called the 'Biggest, most suspenseful, one of the most inhumane' crimes of India, the Aarushi Talvar murder case, the files of which are still in the courtrooms and debated consistently whenever there are murder cases of girls. Director Meghna Gulzar also hits the right emotional buttons, but that she does in all the right places where these emotional frequencies and intimacies are needful. The cinematic brilliance of 'Talvar' doesn't come with an overwrought story-telling structure, making it a great thriller which produces a rush inside you, makes you want to join in the investigations. But for now, enjoy the performances- that of the director, that of the starcast. Reward yourself.
About a week has passed since Meghna Gulzar's "Talvar" have hit the screens & due to some work commitments I wasn't able to jot down as to what I felt about it. Since most of my friends didn't even hear about this movie, I felt it made sense to write about it after all it was based on the Aarushi murder case which had hogged the headlines until the Sheena Bora case came up. With Irffan Khan & Konkona Sen among the cast, it was expected to be well portrayed & they did exactly that. The question that everyone had was in which point of view was the movie made, after all it is such a convoluted case. So did Meghna Gulzar do justice to this murder mystery???
The film unfolds with Inspector Ashwin Kumar (Irrfan Khan) of the CDI being made in charge of the Shruti Tandon murder case which had shook the conscience of the nation. The utter incompetence & lackadaisical approach of the Noida police headed by Inspector Dhaniram (Gajraj Rao) meant that by the time Ashwin was brought in, all the crucial evidence were either lost or trampled. On the basis of some assumptions & vague theories, they had pinned the murder of Shruti & Khempal (Tandon's domestic help) on Ramesh Tandon (Neeraj Kabi). They branded it as a case of honour killing after Ramesh had seen his daughter in a compromising position with Khempal. However, Ashwin assisted by Inspector Vedant (Soham Shah) meticulously go through the circumstantial evidence & comes to the conclusion that the parents were innocent. But before he could close the case, the case is handed over to a new investigative team who again comes to the conclusion that the parents were indeed guilt of the double murder. So how both these teams goes about their task of coming to their own conclusions forms the crux of the movie.
After a hiatus, Meghna Gulzar calls the shots with this hard hitting film & she has done an excellent job with regard to the manner it was made. It seems like a documentary at times with the same scene being re-enacted a couple of times to support the theory of both the investigative teams. The audience is also given a realistic view as to how insensitive & casual the attitude of the cops could be at times. One of the primary reason as to why Megha was able to accomplish all this was coz of the brilliant script & screenplay by Vishal Bharadwaj. In such a grim movie, it's hard to have some light moments but the manner in which he has crafted the climax sequence between both the investigative teams rubbishing the findings of the other deserves applause. If at all there was some portion which felt unwanted, it was the take on Ashwin's disconcerted chemistry with his wife. As for other technical aspects, the BGM was fine while the editing by Sreekar Prasad was crisp and even the visuals by Pankaj Kumar seemed adequate.
Irrfan Khan has been the toast of Bollywood in the past few years & with even Hollywood having cast him, he has enhanced his reputation of being one of the best actors in the country. Expectedly, Irrfan was brilliant as Inspector Ashwin be it in the manner he goes about the case or his equation with his wife. Konkona Sen & Neeraj Kabi may not have much dialogues but they had expressed their character's distress convincingly. Prakash Belawadi (as the former CDI boss) was fantastic & even Soham Shah has done a fine job. As for the rest of the cast, all of them have done their jobs aptly though Tabu's role seemed unwanted.
Verdict: As per the latest box office reports, the movie has done exceedingly well & it seems to be going steady inspite of new releases. It's a well crafted movie & deserves all the applause coming its way. There is no doubt that the makers have given a clear indication as to what they think about the Talwar's involvement in the double murder. We can only hope that justice is served as soon as possible after all it's been about seven years now. As for the movie, no need for second thoughts...just go for it !!!
Best Movie Of 2015.Great Screenplay, Crispy Direction And Good Acting Makes It A Must Watch Movie.The Last 15mins & The Scene When The Two Sides Sits Against Each Other Is One Of The Best Sequence I Have Ever Watched In A Movie.Irrfan Khan Is Outstanding
It's one of the few Hindi movies that'll make you think !