If you have not yet seen the film, then know that Judgementall Hai Kya is based on an interesting concept, it is often funny and fascinating, but in the ultimate analysis, it does not make the grade.

Hrithik’s uneven acting, patchy storytelling and a narrow take on caste dilute a gutsy theme

Watching this film is an overwhelming emotional experience. Article 15 is the best that Indian cinema can be in these troubled times if it chooses to hold a mirror up to our society, compelling us to confront the worst that we are and the best that we can be when we are not busy saving our own skins. 

Kabir Singh and its Telugu forebear Arjun Reddy must rank among the most disturbing examples of the obsessive stalker hero being glamourised by Indian cinema.

Taapsee Pannu hits the ball out of the park through a terrifying thriller

The best of Bharat comes right in the beginning and then almost towards the end. The initial portrayal of the Partition and later efforts to reunite families separated at the time may seem emotionally over-wrought to some, but I confess I was reduced to tears in both segments. Unfortunately, what comes between, though largely inoffensive is only sporadically rewarding. Far from being a Forrest Gump with Salman Khan, Bharat is mostly a plodding trek through post-1947 to contemporary India.

Vivek Oberoi hams his way through an unwittingly farcical, comical hagiography

Tabu, Ajay Devgn champion male infidelity, hatred for women, a weird notion of modern coolth

Tiger’s acting or plot clichés — what’s the worst part of this film?

In terms of concept and cast, Setters has a lot going for it. In its execution though, it does not quite add up.