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Benjamin Lee

TheGuardian

10Reviews
4.7Avg from 6 scored
1Publication

Most Divergent Takes

The Invite

The Invite

2026 · TheGuardian

Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it's really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren't afforded now. The Invite marks a notably exciting new high for her.

8.0
TRM 6.6
Full review ↗
Obsession

Obsession

2026 · TheGuardian

Obsession is satisfyingly slick proof that he knows just what to do when levelling up to a different platform. Barker treats unconditional, and creepily non-consensual, love like a demonic curse, and Navarrette is astonishingly, chillingly good at the intricacies of such a transformation.

undertone

undertone

2026 · TheGuardian

There's a swirl of creepy noises in A24's new hyped-up horror Undertone – screaming, gargling, singing, banging – but nothing is quite loud enough to drown out the swirl of films it's cribbing from. It's a film that manages to be both cluttered and empty.

4.0
TRM 6.0
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One Night Only

One Night Only

2026 · TheGuardian · Aug 2026

The film is the ungainly result of a four-cocktails-in elevator pitch which imagines a world where single people are only legally allowed to have sex on one night of the year... an overstuffed yet undercooked soufflé that can't quite, ahem, rise to the occasion. Instead, One Night Only weirdly plays like lulling government propaganda, a film about sex purge to be released in time for sex purge that says that actually maybe sex purge is a good idea after all.

Ladies First

Ladies First

2026 · TheGuardian · May 2026

It's an excruciatingly unfunny high-concept thought experiment, imagining a world with flipped gender politics, that's far too happy with itself and what it's allegedly achieving to be passed off as just some charming throwback. Like the other misfires it recalls, it's also a criminal waste of talent, a murderers' row of actors who hopefully got paid handsomely for the embarrassment of this whiffing up their IMDb pages.

2.0
TRM 4.2
Full review ↗
Mortal Kombat II

Mortal Kombat II

2026 · TheGuardian · May 2026

There's something maddeningly unexciting about them, a two-hour tease of something that never clicks into place. It all has the distinctly cheap whiff of something that should have gone direct to the small screen – hammy acting, stilted dialogue, chintzy effects, tinny score, Halloween costumes – but without the raucous fun that should come with it.

4.0
TRM 5.9
Full review ↗
Scream 7

Scream 7

2026 · TheGuardian · Feb 2026

Scream 7 is a scrappy, passably entertaining new chapter that limps to the screen with wounds on show. There's just about enough here to show signs of life but Williamson often feels like he's treading water when he should be drawing blood.

6.0
TRM 5.6
Full review ↗
How to Make a Killing

How to Make a Killing

2026 · TheGuardian · Feb 2026

But when dragged into the real world, of discernment and taste, it's a package that brings up a string of concerning questions. At the end of 110 minutes, I can provide the answers: no, yes, 100% and I really have no idea. Forget a killing, Ford has made a real mess instead.

The Gorge

The Gorge

2025 · TheGuardian · Feb 2025

The Gorge is a slickly made but increasingly dumb Apple mockbuster where Miles Teller and Anya Taylor-Joy flirt over an abyss full of creatures. Both actors are in full autopilot mode, flatly flirting with such lack of passion it feels awkward, and the film bears too much of that synthetic Apple feel, as if it was primarily made to show off the abilities of a new iPhone.

4.0
TRM 6.0
Full review ↗
The Idea of You

The Idea of You

2024 · TheGuardian · May 2024

With Hathaway at its centre, The Idea of You is on far surer footing, in small moments almost threatening to be something far greater but settling into being perfectly acceptable instead, a plane movie par excellence. It's all not ultimately enough to truly transport us back to the genre's heyday but it's a damn sight better than what we've been forced to get used to.