Namaste England, which uses the same template of 2007 hit Namastey London, is forced and takes the audience for granted.

Tumbbad is miles above the average Indian fantasy-horror film in terms of both sophistication and vision.

Since the film focuses mainly on Neil’s family relationships, the moon mission feels secondary, and therefore it lacks lot of drama.

Bollywood fans have a good appetite for sappy love stories, but Jalebi is a kind of a film where fans will pray for the end to come as quickly and painlessly as possible. With a catch-line like ‘everlasting taste of love’, the film had a promise of delicious recipe of romance but this is a poorly baked dish which is completely devoid of any taste, forget the everlasting effect.

A wonderful actress already, Kajol is the sure shot reason you love watching Helicopter Eela throughout.

Venom volumes up its darker tone, but it ends up being bizarre and lazy than smart and gritty.

Sriram Raghavan has set his focus on making the usually serious murder mystery a gripping yet entertaining one.

Manto is quite realistic in terms of changing dynamics of a relationship – be it friendship, marriage or even life as a whole. That is truly the crux and the best part of the film – because it stays true to what life as a whole is – bunch of roses with thorns.

Shahid is the gravy of a spicy misal while Shraddha, Yami, Divyendu and other actors are just the toppings.

The film can be viewed as a beautiful character study about three fallible persons, but somehow compatible on a deeper level.