Tumbbad

"Tumbbad is inspired by the works of Marathi horror writer Narayan Dharap. At the screening I was at, someone during the interval remarked, "It seems like a Marathi film." I don't know how he meant it but I take that as a compliment because even though the language spoken is Hindi, the atmosphere of the Konkan is so rich and the period details so well executed, that you feel it's Marathi. I left the theatre with images swirling in my head and a few questions that the film doesn't answer. Which is not a bad thing."

"Debutant director Rahi Anil Barve has a distinct voice. Tumbbad is a gorgeous looking, intriguing morality tale which both entrances and repulses: it's not something I will forget."

"The story becomes exasperatingly concentric, as Vinayak gets addicted to narrow escapes and keeps going back to the temple for more. The film thus finds itself in a loop as we see it play out for over thirty years, a short story told by a longform narrator. I marvelled at things, but also yawned."

"You will never see anything like 'Tumbbad' again...Co-directors Anand Gandhi and Rahi Anil Barve have dared to enter a world that on paper seems impossible to render visually. Yet, they`ve done it!"

"'Tumbbad' is a phenomenal manifestation moulded in a re-defining horror mystery masterpiece."

"Tumbbad is a moody and atmospheric film. Some viewers may find the film a little too deep and disturbing, but fans of Hollywood horror films will be reminded of memorable movies in the genre like Pan's Labyrinth (2006) and Eraserhead (1977). This one is genuinely scary."

"Tumbbad is miles above the average Indian fantasy-horror film in terms of both sophistication and vision."

"What doesn't kill you, makes you more resilient. And if you survive the version of Beelzebub in this film, you surely have the liver for heart-pounding horror."

"Tumbbad is one magnificent looking film. A dark fusion of horror, fantasy, drama and thriller – the story of Tumbbad is surely to haunt your thoughts even after you leave the cinema hall. A treat for the lovers of this genre."

"This Rich Blend Of Fantasy & Metaphor Leaves You Greedy For More!"

"Ship of Theseus team redefines horror with this genre-defying folksy fantasy flick..."

"...an artsy, gutsy mix of mythology, history, horror, and moral science. Do these elements seamlessly add up for you to naturally feel for the characters in the story? Honestly, no. Does the incredibly strong visual craftsmanship (rare for an Indian indie) satisfyingly guide you into a world hitherto unseen/unknown? Oh, absolutely."

"The film is intriguing, sometimes even absurd, but you'll glide through its 104-minute duration. Tumbbad's biggest success is that it doesn't confine to any popular genre. It offers something new and that's enough. ​"

"What seemed missing in Tumbbad was that screwiness, that kinkiness, which shades so many of our best parables..."

"TUMBBAD rests on a unique concept but the disjointed narrative spoils the show. It'll be a challenge for this film to impress the masses and hence struggle to do good business at the box office."

"The atmosphere, landscape, and themes in 'Tumbbad' are accentuated by a sense of Gothic dread and an eerie expectancy of the diabolical"

"Tumbbad is a class-appealing horror film meant for the big cities mainly. Its poor start is a minus point."

"A visually rich blend of fear and folklore...'Tumbbad ' is a technically accomplished and edgy home-grown horror fantasy"

"The rain never stops in Rahi Anil Barve's "Tumbbad". It pelts the ground relentlessly, rendering everything else insignificant and giving the film an eerie atmosphere and a sense of foreboding. This gloom is what gives the film its best attribute – atmospherics. Barve's film is redolent with a texture and detail that is rare in Indian films."

"Barve and his team of collaborators leave much to interpretation, but Tumbbad, derived from the works of Marathi pulp horror writer Narayan Dharap (he is known for his Stephen King adaptations in Marathi), is a thrilling cinematic experience just as a horror film. For film lovers, the genre-bending is gratifying. It has been a while since a horror film spoke so eloquently about something as primal as greed and remained true to its Indian (Marathi) setting."