Set in Amritsar, Manmarziyaan follows the story of Rumi, a spirited young woman who finds herself caught up in a complicated love triangle involving her impulsive yet irresponsible boyfriend and her self-possessed fiance.Wikipedia
You want to shake these lovers and ask them to make up their mind, quick. You enjoy the initial exhilaration born out of breathless passion as the winsome boy and girl engage in the age-old dance of desire. And then they become exhausting. As does the film.
Abhishek Bachchan, Taapsee Pannu and Vicky Kaushal play intriguing characters in Anurag Kashyap’s new film, but the romance is a slow-motion slog.
Anurag Kashyap’s film, essentially a story about people who crush hearts instead of bodies, features terrific performances by Taapsee Pannu and Vicky Kaushal
One of the finest filmmakers of our time, Anurag shows his range with Manmarziyaan. In one of his most easygoing films, he manages to add his touch to an otherwise old theme, and that makes Manmarziyaan a film worth spending time on.
The film can be viewed as a beautiful character study about three fallible persons, but somehow compatible on a deeper level.
With Manmarziyaan, it is this kind of love story that Kashyap, I think, is out to challenge.His lovers are too messy for an external force to cause any real harm.They have no enemies to shoot, and so they take aim at each other.
Abhishek and Vicky give their roles all they have but the screenplay does not give them the bandwidth reserved for Taapsee...
This new-age love story with Facebook friend requests and Tinder conversations, also has the charm and depth of an old-school love saga. The motif of twins, peppered right through the film is funny and random but if you dig deep, you will probably find out why. At times, the story might be a little too deep for millennials, but Manmarziyaan is one of the best romantic movies to come out of Bollywood in a long time.
For a film that waxes eloquent about the unpredictability and volatility of love, the end feels like an unnecessary cop-out.
For the eternal die-hard romantics, Manmarziyaan is that tale which encourages you to dream on, no matter what. Go for it with that special someone.
The film benefits from Amit Trivedi's fabulous soundtrack. Songs like Daryaa and Halla stay with you after you leave the theatre. Rumi and Vicky stay with you after the end credits roll. But Manmarziyaan lets you go with the feeling that you've just seen Dev D from a Paro's point of view. Except, a mediocre version.
Manmarziyaan is not your hunky dory love story. It has love in a more realistic form backed by some outstanding performances. The music lifts up the purpose of the film proving the point Kashyap wants to say i.e. Do what pleases your heart!
MANMARZIYAAN comes across as a contemporary and an unorthodox tale laced with some brilliant performances and powerful writing. The bold theme of the film might restrict its appeal but its target audience is sure to give the film a thumbs up.
Writer Kanika Dhillon has etched real-life situations. The conversations between people carry a ring of reality as well. We see three actual people, and not film tropes or archetypes, trying to make sense of their lives. There is no unnecessary drama in the film. The girl doesn't get berated for bringing the ghar ki izzat down, nor is the boy beaten up by her relatives. Every situation is dealt with a certain restraint and maturity.
The relentless drama that follows, by the minute, in the lives of the volatile lead couple (Vicky Kaushal, Taapsee Pannu) in unhinged love, will make you feel thoroughly relieved about your own staid existence though.
Anurag Kashyap's film flounders except when humour rears its head...
Audience Reviews for Manmarziyaan
This doesn't feel like its an Anurag Kashyap film, because its not a poetry of darkness, but a sugary premise of love triangle which has been garnished a little by its own chilli flakes. There is a girl, her purposed husband and her 'Fyaar' partner. Not only the film effectively tackles the modern issues of love, but it also heartfelt and character-built. I enjoyed the performances of Taapsee Pannu, Abhishek Bachchan and the extremely talented Vicky Kaushal as Rumi, Robby and Sandhu respectively. The script meanders a little in the second half, but still Kanika Dhillon makes even that work with her writing.
Manmarziyaan review: "Seemed like 2018 version of Hum Dil De Chuke Sanam!!"
Just a week back, I was profusely praising Anurag Kashyap for his brilliant performance in "Imaikka Nodigal" & the maestro was back this week in his director's apparel for "Manmarziyaan". From the trailer, it was kinda evident that it’s quite unlike what Anurag has worked with in the past & that in itself excited me further. Interestingly, the movie featured Abhishek Bachchan who is back after a two-year break (“to re-energise” as per what he said; hmm, so it wasn’t due to lack of movies???). Anywaz his success rate as a solo hero has been patchy, pretty much like Sri Lanka’s abysmal record since Sanga & Mahela retired. So, will his movie follow the fate of the Lankans in the Asia Cup???
Rumi (Taapsee Pannu) is an attractive, bold & free-spirited Punjabi kudi who was madly in love with the equally crazy & bindaas Vicky Sandhu (Vicky Kaushal). The latter was a DJ who aspired for a successful music career though he didn’t seem to work hard for it, while Rumi oversaw her family’s sports goods store. Their affair was known to everyone in the locality & her family after having caught them goofing around started searching alliances for her. However, Rumi’s adamancy forces them to offer some time to her, so that Vicky could seek his folks’ permission to ask her hand in marriage. But with Vicky being apprehensive of commitment, Rumi decided to tie the knot with Robbie Bhattia (Abhishek Bachchan), a UK based banker that her family had chosen for her. The question was whether Rumi & Vicky could forget everything & get on with their new lives or will Robbie be handed out a raw deal???
Nowadays, we hardly come across directors who works in more than two projects in a single year & interestingly, “Manmarziyaan” happened to be Anurag’s third directorial venture this year after “Mukkabaaz” & “Lust Stories”. Unlike his previous movies, this hasn’t been scripted by him as it was by Kanika Dhillon who had earlier written the screenplay for “Ra One” & “Size Zero” (Telugu/Tamil). It might sound odd, but I felt like this was the 2018 version of “Hum Dil De Chuke Sanam” with carnal instincts being more prominent. Despite having a running time of 155 minutes, it still manages to keep us engaged for large portions especially in the first half. Apart from Anurag’s decent direction & Sylvester Fonseca’s visuals, there are two major reasons which makes this movie work & those are the cast as well as Amit Trivedi’s excellent music. The latter has undoubtedly produced the best soundtrack among all the movies that has released this year.
Ever since “Pink” released a couple of years back, Taapsee has consistently impressed with her choice of scripts & praise worthy performances. She was brilliant as the vivacious Rumi & should be in pole position to claim a couple of awards for the best actress. Equally impressive was Vicky Kaushal who floored me yet again after “Sanju” & has been consistently churning out good performances. Last but not the least, Abhishek has done a fine job as well with his ability to convey emotions convincingly through expressions. The rest of the cast have all also done their parts aptly.
Verdict: As per the latest box offices, the film made credible collections over the opening weekend making it the biggest in Anurag’s career (who usually barely make it beyond 10 C). I don’t think it will make much of an impact on the single screens & will have to depend on multiplexes for the revenue. However, it’s worth a watch & I would suggest that you guys should give it a try!!!
A disappointing anurag’s ride...
What if one day kuberick comes up with something like ‘Before trilogy’.??...
we can safely bet that he can’t deliver what Richard linklater has..same is the case with Anurag Kashyap..The Indian neo noir director has come up with manmarziyaan, a romantic drama where he starts albeit with a bang but fizzles out gradually...
Manmarziyaan is a love line between the talented Vicky Kaushal, charming tapsee pannu and the restrained Abhishek bachhan..tapsee is the centre of the gravity which keeps changing its position between the other two balancing points in accordance with her wits and complexities and that accelerates the whole story to a point when it starts getting dragged and comes to a halt..
first half is brilliant and a scene just before interval fills u with the goosbump as Amit trivedi’s brilliant scores matches up with the brilliant vickey kaushal’s anguishness on the screen but the second half stretches too long and the last 15 minutes of the movie becomes unbearable and u left wondering when they gonna roll the titles..I understand they were trying to prove a point about the love but there was really no point to stretch that long...had they squeezed up those 15 odd minutes,the film would have been much nicer..it was almost like they started on commercial note and tried to finish in art style but the end result was ARTIFICIAL...
Tapsee is a spot on as Chulbulee and मुँहफट लड़की...Abhishek and vickey Kaushal also plays their characters to the T but the real gem and the heart of the movie is the music of Amit Trivedi..his music is the life of the characters..remove it and all the characters dies automatically...Amit Trivedi must be on the pedestal this year...
It seems Anurag kashyap was tired of the criticism and wanted to prove that he can handle the love actually without any gore and swearing...somehow he succeeds in it but overall he still has a long way to go..so in all, if you love romance,want to experiment new Anurag kashyap, surely u can watch this especially फ़र्स्ट हाफ़ and if u have patience too, go for the second half too..afterall it’s ur मन की मर्ज़ी...
Great direction and a good story that stands out from the rest of the crappy romance films that Bollywood comes out with every year. But a tiresome watch.