• While this kind of story feels a bit familiar, its excellent music & sense of realism along with the fine performances make up for it.

  • Manikarnika is a misguided and typical effort bolstered by only a few noteworthy aspects. Still, Kangana Ranaut remains as the Queen.

  • URI is edge-of-your-seat ride through recent history featuring Vicky Kaushal’s competent performance at its centre.

  • Simmba boils down to yet another poorly pencilled script that tries to compensate it’s shortcomings with every other ludicrous means.

  • The film is overlong and predictable, but it retains it’s excitement and holds the audience’s attention to the end.

  • In the conclusion, Kedarnath does have some genuinely likable moments but when the monotony of the drama gets exposed, the film’s pace breaks down and the entertainment level drops. The film somewhat manages to regain its speed in the climax. But till then, you find it is already late.

  • A low-stake, contrived story filled with futile characters and hampered by exposition makes this sequel a dull affair.

  • ‘Isle of Dogs’ is fast paced, colourful, and an absolute delight all around. And Anderson once again demonstrates that he is among cinema’s all time greats. 

  • Namaste England, which uses the same template of 2007 hit Namastey London, is forced and takes the audience for granted.

  • Tumbbad is miles above the average Indian fantasy-horror film in terms of both sophistication and vision.

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