The dialogue is very Delhi and some of it raises a few chuckles but it’s nothing that you have not seen in other films based in Delhi. Dimple Kapadia is enjoyable to watch and she keeps you engaged every time she appears on the screen. Not all the other characters manage to do successfully. Having said that What The Fish is still a good one time watch…

The otherwise well-intentioned film is slightly marred by its length.
The climax in which Dr. Tariq is forced to report in the operation room is not easy to digest. Yet, the few demerits of Club 60 outweigh the genuineness with it has been made.

…marks the end of pseudo-desi films

…Saif does justice to his role, bringing to it a vital spark and zest that flows so effortlessly. Sonakshi Sinha in a brief role does what is required for the part. Bullet Raja’s slogan claims “aayenge toh garmi badyaenge.” To the film’s credit it delivers what it promises.

Gori Tere Pyaar Mein! is a good, light-hearted, one time watch. It’s breezy and fun for most part.

Singh Saab The Great is a film designed to show Sunny Deol histrionics, the way his fans are by now accustomed to seeing him. To his credit Deol does not disappoint in what is expected of him.

At a run time of two-hours-forty minutes Ram-Leela could get a bit laborious but you can surpass that because Bhansali comes forth with a love story that is enthralling, sparkling and compelling but not self-indulgent like Saawariya.

There is absolute disregard for coming up with anything intelligent in this film which is supposed to be a crime thriller. Amateur writing, tacky sets, indifferent acting, cacophonous background score and anything random goes in Satya 2.
With such lazy filmmaking being the biggest truth about the Satya 2, wouldn’t you rather re-visit the Ram Gopal Varma’s much more truthful Satya. Honestly!

After his brilliant film debut five years ago in Aamir, Rajeev Khandelwal is an actor who perks your interest when you see his name in the film’s credit. After watching this film you wonder did he actually agree to do this film happily? What for and why? Harsh as it may sound but this film could easily be called Boredom Actually.

The comic-thriller is fast paced, constantly taking you from one unexpected situation to another. The dialogue is witty, full of repartees and with many smart one-liners that most characters, even the supporting ones get to mouth and display their comic mettle. When the film slips into thriller territory it does remarkably, keeping the dramatic tension intact, gradually building up the tempo to a lively, entertaining climax. To its credit the film’s humour is quirky but not once below the belt.