The film starts with an interesting prologue in Afghanistan and ends with a witty epilogue in London. How we wish the globetrotting in between was as much compelling. The film is entertaining but not in entirety. Agent Vinod gets the nod though not whole-heartedly!

In a smart conversational excerpt from the film, the hero downplays himself as an ordinary guy who doesn’t excel in any particular domain. But the heroine finds uniqueness in his commonplace conduct since he never overindulges into anything. She tags him with the paradox – ‘perfectly average’. That precisely defines the film as well. It’s perfect in whatever it offers. But what it offers is quite average in volume.

Love you to Death is supposedly a comedy film. And it makes you laugh too. But most of the times for the wrong reasons (anglicized accents, ludicrous scenes, ham acts). And even they are far and few between. The story keeps beating around the bush and by the time the narrative actually comes to point, the film bores you to death.

The common man might have upgraded from newspapers to television and cinema. But his chronicle continues to remain common. In a country governed by corruption, the common man is still ruled by red-tapism. The maximum that he can do is hurl a shoe at bureaucracy or slap the system. And that’s precisely what the hero of the film does. Beyond that he and his story are as powerless as the common man.

With Bollywood being obsessed with remakes in recent times, Agneepath is an important lesson on how to pay proper tribute to the original. Despite the original being his home production, Karan Johar attempts playing with fire (treading uncharted territory) with Agneepath and emerges victorious. Agneepath has the fire for a lustrous entertainer!

After making a career out of surreptitiously remaking foreign films forever, director-duo Abbas Mustan have proved their recycling capabilities credibly enough to win the opportunity of directing an ‘official’ remake of a Hollywood flick. They have stars, budget, virgin locations and also a readymade film (rather two of them) for reference. But that know-all impudence of the directors to Indianize The Italian Job is like having a pizza with Punjabi tadka topping.

Don 2 ends with the promise of Don 3 (that’s what the number-plate of Don’s bike reads) and the trademark dialogue ‘Don ko pakadna mushkil hi nahi, namumkim hai’ (It’s not just difficult to catch don, it’s impossible). But we would surely want to ‘catch’ up with a more worthy sequel to this. It’s not impossible Farhan. Is it?

While Ladies vs Ricky Bahl doesn’t exceed expectations (like Band Baaja Baaraat), it doesn’t con you in the name of entertainment either.

Vidya Balan makes the dirty picture a beautiful experience. Picture mein dum hain!

So make some way for the Desi Boyz. And be sure, they won’t disappoint you!