Hero

Despite a shoddy story line and a weak script, Hero will be worth your money. And it's majorly Sooraj and Athiya's earnest efforts that will set the ball rolling for the film. Here's to Bollywood's two new discoveries!

...the camera work has used certain innovative techniques, and it was a good decision to use slow motion for fight chase, as it doubles the effect on viewers. 'Main Hun Hero Tera' by Salman Khan will definitely rush you to the cinema halls, we are sure. So, grab a ticket a watch this one to see the new-age 'hero' and 'heroine'.

Hero is not Kal Ho Na Ho or D-Day, it is a rather faulty film made by the same director. Only half-entertaining, the film is more like a promotional video for Sooraj Pancholi and Athiya Shetty that doesn't require a solid plot. Nonetheless, for Bollywood buffs this is a decent watch with great music and the typical 'Hindi cinema' storyline.

The best thing comes at the end. When you see Salman Khan crooning 'Main Hoon Hero Tera'. You wish some of that easy charm had rubbed off on the film.

Overall, this Hero is below mediocre fare except for the lead pair's straightforward performances.

HERO fails the litmus test of rehashing a classic for the Generation Next. It appeals in very small measures and is not an ideal weekend entertainer. If you a die-hard Salman Khan fan, you may want to patronise, else avoid.

Hero rhymes with zero and it's tempting, for the sake of the headline and because in the first five minutes of the film my hand went lurking about in search of an eject button, to just write off this film as a big, fat zero.

Unfortunately even as the anticipations and expectations from Nikhil Advani's 'Hero' were very high, it fails to deliver what was expected from it. Frankly, Advani's 'Hero' comes nowhere even close to original 'Hero' directed by veteran Subhash Ghai in any department. We are going for two stars for 'Hero'. Watch it only if you have nothing better to do this weekend and if indeed you have something very special to do, you can easily skip this one.

There are action scenes in the start and towards the end of the film which are unreal and highly dramatic. Sooraj Pancholi and Athiya Shetty's Hero is strictly meant for all those who have grown up on a diet of Bollywood movies and are fond of those typical romantic love stories.

The Hero that catapulted Jackie Shroff and Meenakshi Sheshadri to instant stardom had songs like Lambi Judai and Tu Mera Hero which can be partly credited, as they'd factor in the success of films then. But the predictable plot featuring a union of partners from disparate conditions: rich and poor, cop and robber, coolie and client, was passable even though over-utilised then. Today, this photocopy with no plot tweaks seems little more than a tired effort.

Unsurprisingly, this struggle to fit a modern-day romance in a dated template prompts a patchy, wobbly, bizarre, humourless drama proving an uphill task for two rank newcomers to tackle.

apart from launching new 'stars' these remakes actually serve no purpose. To begin with, the filmmakers don't have enough grounds to believe that they will better or even come close matching the original. So if that is the case, why bother in the first place?

Aditya Pancholi has a dialogue in the film which goes like, "Khota hai par apna hai." This sums up the idea behind presenting Sooraj Pancholi as 'the' hero. Yes, I know, I said that in the beginning as well. Then who's the real hero of this 131-minute film? Salman Khan. Why? Haven't you heard his soulful number 'main hoon hero' yet?

Producer Salman Khan, who is also the singer of the only tolerable track in the film, continues his rather poor innings as a supporter and encourager of new talent in Bollywood. Pancholi and Shetty will hope that they get a second shot at glory. Hero is a debut film that makes Saawariya and Student of the Year seem good movies. That says a lot about the film itself.