Overall, the film is worth a watch for the unsung heroes of the tale.

Overall, mounted with moderate production values the film is a mediocre fare worth a Sunday watch on television.

This is a small film with a very big heart, enduring in its statement on the erosion of mutual respect in a marriage of convenience, and endearing in its susceptibility to keep the narrative clutter-free when the stakes are piled heavily against a friction-free condition of existence.
Oh, and yes. This is a two-hero film. Sanjay Mishra and the city of Varanasi.

Overall, despite a weak script, there is action aplenty throughout the film, but that doesn’t bog down the viewing experience like many overcooked comic-book sequels. Also, the pendulum of the narrative swings from bloody mayhem to lewd comedy and back seamlessly and there are moments too where the film turns mushy. It is also advisable not to leave the theatre at the beginning of the final credits.

t all kind flattens out into a noisy mess towards the end. A kind of what-if-Neerja-had-no-script rudderless romp into air turbulence. But nonetheless, it is fun while it lasts because some of the actors seem to have a blast. The others seem to have come along just for the fun. And we can’t help getting their point of view completely. High Jack is a fun for a while. Before it loses its plot.

The film boasts of moderate production values. The background score by Rupert Fernandez is bright and chirpy. The songs; “Aache bachche rote nahin” and “Aye Zindagi” snuggly mesh into the narrative.
Overall, the film is slight too flat and straight.

Raazi offers a subtle dose of patriotism that makes you root for the film as it brings to life the story of the unsung heroine of the India-Pakistan war.

Don’t grovel before your child for that one tri-monthly phonecall. It is meaningless. 102 Not Out teaches us to find that one rare moment of truth that binds two people together even if they are not meant to be together for keeps.

Omerta is not an easy film to watch. It cuts the protagonist’s movements down to size in episodic chunks and then regurgitates the vivid moments into scenes of colour-blinded documentation. There is a moment where Omar, pretending to be an ordinary tourist in Delhi named Rohit is accosted by an aggressive cop on the road who tells him bluntly that he “looks” like a Muslim.

While the film boasts of decent production values, overall it fails to engross you.