Overall, with moderate production values, The Big Sick is a pleasingly feel-good film.

Overall, Tubelight has the tempered magic of cinema but it fails to ignite the emotional quotient.

The production quality of the film befits the Yash Raj Films label, and the background score, in parts, creates the adrenaline charged atmosphere, befitting a thriller.

he Mummy is a fun film that sets the Dark Universe’s ball rolling as viewers look forward to the next edition.

Overall, with the background score and the songs smoothly blending into the narrative, the film seems like a seamless canvas.

Like any other DC film, this film too is aesthetically and magnificently mounted. Matthew Jensen’s Cinematography and Rupert Gregson-Williams score add the obvious emotional boosters that enrich the viewing experience.

Baywatch never opts for ennui as a decent alternative to smutty entertainment. It lets out a welter of off-colour humour in scenes that have been written to spotlight Dwayne ‘Rock’ Johnson’s dexterity with dumbness. You can’t afford to miss his, and this film’s gumption.

While the script written by Disha Rindani and Konkana Sen Sharma, is skilfully drafted giving every character equal weightage, there are moments that make it seem pretentious and predictable. But the last scene which works as a metaphor in the film, leaves a lot of scope for interpretations and discussions and that is what takes this film beyond the auditorium.

For telling it like it is, for giving the national hero a befitting cinematic homage and for opening up the vistas of dreams that every working class youngster lives and dies with, Sachin: A Billion Dreams deserves a standing ovation. For giving us a documentary that is neither dry nor pedantic nor over-eulogistic, the entire team of this film deserves a “We Love Sachin” sweat-shirt each…. Signed by the man.

Hindi Medium with excellent production values and a strong local story, is undoubtedly a great canvas with a strong message.