• The songs in the film are hummable and the film, as expected, with excellent production values is all gloss and fluff but low on substance.

  • Overall, while the film is interestingly told and is engaging, the last scene, though it talks about a happy ending, unsettles the purist.

  • The end credits promise – Guardians of the Galaxy Will Return, but if this streak of its storytelling continues, one is not sure if you’d be looking forward to it.

  • Maatr is a raw and powerful tale that is crisply told albeit a tad fictionalised.

  • Overall, the minor lapses in the portrayal of journalism as a profession, notwithstanding, ‘Noor’ is an enjoyable, breezy film which pivots around strong issues but is light-hearted too.

  • There is room for everything and everyone in this baggy after-thought including a cute baby who is part of the film’s climactic stunts. The baby, named Brian after the late much-missed Paul Walker, has a ball.
    We do too. We don’t miss Walker. There is no pause for nostalgia here.

  • Overdramatic and convoluted…Vidya Balan in the title role, as expected, is impressive and effortlessly convincing.

  • Though this film tells us why death need not be feared, I came away from it feeling a profound sense of melancholy. It makes us experience the final futility of life without disrespecting the art of living. And that’s no small achievement.

  • Laali ki Shaadi Mein Laddoo Deewana is a wedding you will want to attend and leave half way, as it fails to excite you after a point.

  • Ghost in the Shell is a visually arresting film that has it occasional moments of brilliance in the action scenes, but fails to hold your attention for long.

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