…is quaint and quirky, has a few chuckle worthy moments but never rises to any great heights in terms of content or form!

The preachy overtones, the conscious sermonizing, silly antics, unbelievable action stunts, confounding logic in the sequence of events and Kumar’s staccato dialogue delivery don’t allow for much enjoyment here. Standard Stereotypes ,clichés, formulaic elements make it that much more difficult to make sense of. Director Krish and his editor manage to make it slick but the disjointedness and incoherence doesn’t stay hidden for long. Watch it only if you are a die-hard Akshay Kumar fan!

Well there was a moral to it I guess but the treatment and narration was so artless and boring that it could put you to sleep. Vinay Pathak tries to keep things real and empathy worthy but the character he plays just doesn’t seem to be from the real world.

The songs are lilting and hummable , the story is engaging and involving and the runtime is not so much of a stretch.

The script in fact goes haywire trying to justify the hue and cry over something so innocuous. The coherence and tension are missing big-time. The tone is pretty much flat and the treatment more toonish than satiric!

It’s all very well being influenced by Iranian cinema but to try and incorporate similar elements without working out the cultural manifestations is sheer foolhardiness in my book. Praveen Morchhale seems sincere in his efforts to portray the problems faced by the aged and ailing- unfortunately his good intentions did not translate into a good film!

Clichéd representations of common stereotypes make the interest diminish. The performances by the three main leads and the all-too-brief bits of alleviating humor are the only magnets to your interest!

The film is lavishly mounted and Basha Lal’s camerawork captures the sensuality of the earthy Rajasthan canvas just as well as he does Sunny’s curvaceous body. And Leone does the rest. This is not much of a movie but an experience ..of the Sunny Leone kind!

The film looks good, is short on runtime and harbors on old-fashioned hysterics. Likeable but not exactly enjoyable!

There’s not much to the story and there’s even less weight in the dialogues. The characters all sound like petulant self-seeking individuals lost in their own self-importance and fake sentiment. There’s an effort to shore the weak scripting with pseudo-verse and music that sounds like a bad imitation of sixties rock but it fails to impart any affect. The performances are stilted at best. No one looks comfortable in the skin of the characters they assay. Suresh Kumar Rajan’s cinematography manages to capture the beauty of the region but fails at creating vivid atmosphere for the trip that appears to be going nowhere. The film of course, stays true to it’s title. Everybody does get screwed here-including you!