Gabbar is Back is a movie about Gabbar Singh Rajput (Akshay Kumar), who creates his own vigilante military network called the Anti-Corruption Force (ACF) that eliminates the most corrupt individuals, from all walks of life, in a systematic manner. Wikipedia
Gabbar is Back Reviews
From the clumsy plotting and a manipulative back-story featuring a visibly disinterested Kareena Kapoor, to the been-there-seen-that action scenes and the uninspired score, there's little to recommend in this movie. At best, Akshay Kumar lays on the charm in a few well-timed sequences. But it's too small a reward in exchange for sitting through this boring film.Not surprisingly, your migraine's back too!
I’ve said this several times, but I’m ready to implore again: can Bollywood please, please stop making these tired, tiresome remakes? And let sleeping Gabbars lie?
Even as an exploitative gimmick, it could have been used more cleverly, but here we have a full-length cinematic equivalent of Bali Brahmbhatt’s Gabbar Mix. Using the very name of the most fearsome villain in our cinema should mean something, but here it just gives the filmmakers an excuse to cast a dark-skinned actor as an executioner just so Akshay can tease him (even though he’s just an innocent fellow doing his job) with the “Tera kya hoga Kaaliya?” line. Ugh.Stay away from theatres, I’d say. 50-kos away, even.
For me, the final straw was Gabbar’s last speech, in which he exhorts the youth to stand up against corruption and says that his mission was inspired by the teachings of Swami Vivekananda. It hit the sweet spot between outrageous and spectacularly dumb.
Gabbar Is Back is a full on ‘masala’ film with a lot of applause worthy scenes. The buck stops at Akshay Kumar.
Director Krish and superstar Akshay’s GIB is a hectic, loud film that skids from one episode to another introducing characters — all prefabricated, one-dimensional ones necessary for simulating a vigilante melodrama — and pushing the story to its inevitable end.
Akshay Kumar has put sincere efforts in every department be it intense or romantic scenes. But all the elements of screenplay, editing, and storyline put together doesn’t really help to drive the point back home. The climax of the film is a yawn and doesn’t move you at all.
Clearly, nobody put the makers of this film through the paces. They might have then known how to make the best of their limited cinematic resources and craft something less mucky.Watch Gabbar Is Back only if you are a diehard Akshay Kumar fan.
With gritty reality, Gabbar has glamour too - Shruti charms with her soft, pretty appeal while a cameo by Kareena adds sheen but doesn't divert. The second half's blood pressure doesn't fully match the first (Patil's insistent 'I am a brand!' gets repetitive while CBI officer Pahwa looks clueless without Sadhuram's 'axellent' work) - but the climax pushes up the adrenaline again.
...a dated film, both in look and feel, and the cast seems to know it too. They all ham it up like the Bollywood actors of the 1980s. Kumar is required to throw in a few punches, which he manages to do with aplomb, but other than that, doesn’t put in much effort.
This Gabbar is meant strictly for the masala-of-yore fans...
Watch it if you want to re-see Akshay Kumar's superhuman antics, which he's pretty much mastered by now - Rowdy Rathore, Boss, Khiladi 786, ad nauseam, ad infinitum. It's almost as if that famous dialogue from Sholay's Gabbar, "Ab tera kya hoga Kaaliya,' is directed towards the audience. Gabbar Is Back, and is back in a severely logic-less form. Yet, the film is a one-time watch. Akshay Kumar fans will love it, yes. As for the others, take a well-thought out call.
If you enjoy films which have the good vs evil story with full on action and ‘Dhamakedaar’ dialogues, this is your film. For Akshay Kumar fans this one is a treat as the weekend watch. I found it entertaining in parts...
...an average entertainer which will draw huge footfalls over the weekend due to catchy massy title, action drama and the fact that it is releasing on a holiday. Post the weekend, the film will have to rely on 'PWD' (Performance on Week Days) to see it sail through. If you are sick and tired of corruption in India, then, you shall find GABBAR IS BACK inspiring, else you may find it boring and preachy.
There is no subtlety whatsoever in conveying the message everything is hammered and hammered hard. The background music is ear drum shattering and the dialogues are cringe worthy.Not quite sure which was more embarrassing - Shurti Hassan’s character or her acting. Akshay Kumar tries his best to provide a silver lining but the cloud is as dark as a black hole.
‘Gabbar Is Back’ is not a complete waste of time, it is just a very problematic film.
Audience Reviews for Gabbar is Back
Since morning the news that is trending has been the conviction of Salman in the "hit & run" case of 2002. Though it took quite an awful lot of time, the judicial system has once again reaffirmed our faith that no one is above the law & I am glad that justice has been served. Interestingly, I happened to watch Akshay's "Gabbar is Back" last night where an individual tries to rein in the corruption of the system. So was his fight against corruption, worth my time???
The film unfolds with the police being informed that 10 tehsildars across Maharashtra were kidnapped & even before they could unlock the mystery behind it; one of them was executed who incidentally turned out to be the most corrupt among the lot. This was followed by a message from the executioner "Gabbar" who emphasised that this was just the beginning of a series of executions in other similarly corrupt departments. Incidentally, Gabbar was the pseudonym of Professor Aditya (Akshay Kumar) who along with his band of former students had decided to crusade against corruption. So what had prompted Adi to take this step & can the police stop him from committing further executions???
Just like numerous other Bollywood movies, this was the remake of A.R Muragadoss's "Ramanaa" (which happens to be the only Vijayakanth film that I actually liked). Even though I knew the story, I was kinda keen to check it out after all it had Akki & it was also directed by Krish whose "Vedam" I had really enjoyed. Unfortunately, there was nothing much worthwhile in this movie as the whole product looked jaded with no efforts being made to make the proceedings engaging & it was made all the more appalling thanks to Shruti Hassan. So were there any positives in the movie??? Hmm...to be frank, nothing that I could possibly think of . None of the technical aspects, deserves special mention & even the BGM does give you a headache.
Well Akki barely had much to do apart from exhibit his martial skills & he did seem to have done a fairly decent job, in a role which offers not much scope for performance. Shruti Hasan was downright pathetic & the way she keeps blabbering about "Google" made me wonder as to how come she never got an ounce of acting talent considering the genes she possesses. She has proved that the proverb "Practise makes a man perfect" isn't true coz it's high time she improved. Sunil Grover of "Comedy Nights" fame impresses while Suman Talwar had to mouth just one dialogue for majority of the time & flare his nostrils.
Verdict: The film is unlikely to create any sort of tussle at the boxoffice & will sink without a trace. In short, you can check it out on TV but make sure to skip through the portions of Shruti Hasan or else you might end up spending money to repair the damage that you would do to your television!!!
I could bet this is the nth time a film based on the theme of a common man turning into a city vigilante is made. Although I am not quite sure of the purpose of creating such movies, Gabaar is Back is no different from its previous/similar versions.
A good guy who tried to fight with the bad guy ends up almost dead after his pregnant wife is also killed in an unrelated incident. Years later, the good guy, now convalesced and fit and fine, starts an underground vigilante group, hiring fellow students who he thinks has the ability to change the way the bureaucracy works (in India). Plus, a girl who had been roaming around the studio (while the film shooting) for a role was given to play the character of a girl who I have not yet been able to fathom the necessity of.
The protagonist constantly repeats "Gabbar is back!" so as to reiterate the fact, which may be to wake up the audience if the ennui had rendered them dead asleep. The plot is straight preachy and deals with giving us superficial pleasure to know that corruption has finally been wiped off the tables. But once you get out of the theater, you may still get anxious that tomorrow you have that police verification for the issue of passport where you will need to grease few hands. Unfortunately, Gabbar is fictitious and will stay that way. If one fails to realize that, the film is a definite 10 on 10.
Even a fourth grader could guess who plays the characters I have mentioned above, so I won't go over it. Their performances were fine, and there's nothing much to talk about, except maybe Kumar; he does a better job and the three stars are for him. Shruti Haasan acts like she was handed a textbook and asked simply to read.
BOTTOM LINE: Gabbar is Back uses the same old formula where the common man turns into a rebellious smart-Aleck who suddenly has the skills of a martial artist-wrestler crossover and brains of a genius. The only difference is he's trying to eradicate corruption this time; its sequel will deal with attacks on women, and betel-nut- chewing Bhansali tells my sources that "Gabbar will be back after he makes love with his Girlfriend (2034)" will deal with selfie stick abuse and android sex. 3/10 - avoidable.
Can be watched with a typical Indian family? YES
Gabbar is Back, a film by Director Krish and remake of 2002’s A Murugadoss’ Tamil Film Ramanna. The iconic character and villain of Sholay - Gabbar’s name is being used for the protagonist of this movie. Gabbar is absolutely non-erasable from Indian Cinema. As such, there is no similarity between Amjad Khan’s Gabbar and Akshay Kumar’s Gabbar. The former one had ‘naam aur Kaam villain ka’ whereas the later one has ‘naam villain ka, kaam hero ka’. The theme of the movie is really relevant. It talks about the corrupt system existing everywhere in our country, be it government officials, builders, hospitals etc. We have seen this theme many times offlate. There was tremendous scope for this movie to be a great one, but the screenplay falters. Lot of punch lines and dialogues are used which at times goes overboard. Also, the songs pop out, which do not add much to the screenplay. In fact, we have seen this Akshay Kumar also in the past who tries to fight the system. Still, one can watch the movie for its theme. None of us can deny that fact that the system needs cleaning from top to bottom and that is what is shown in the movie. All of us can relate to various scenes, corrupt medical system - where a hospital is exploiting the patient’s family, government officials demanding money to do every work, builders bribing the officials to get sanction for illegal constructions / or use poor raw materials for construction etc. I completely resonate with a dialogue of the movie: Himmat hai to power nahi, power hai to himmat nahi, and agar power aur himmat hai to corruption hai. So, to clean the system, lot of such Gabbar (s) are required. PWD (Power Wala Danda) is required. Akshay plays the role of Aditya aka Gabbar, who is in a mission to flush out the corruption from the society and he literally eradicates corrupt officials from the society. Initial shots show him surfing and finalizing the list of corrupt Tahsildars and very soon police officials get the information of kidnapping of 10 Tahsildars in and around Mumbai. One of them (the most corrupt one) is hanged with files tied to his body and rest of the nine although return home, don’t speak out. Nobody knows the identity of Gabbar, nobody has seen Gabbar. So, Police officials and media keep discussing about how to catch Gabbar. Police officials, media, common people get a CD with Gabbar’s voice in it that his mission is to get the corruption out of the system. There is Sadhuram (Sunil Grover), a junior personnel in the Police Department, who had the talent and aspiration to be an Inspector but could not get the much deserving post due to corrupt system. Opposite Akshay, there is Digvijay Patil,a real estate tycoon, who believes that he is a brand in himself. Patil blames Gabbar for the miseries caused to him. Then the fight starts between the two.What is the plan of action of Gabbar? How Sadhu manages to get some clues? Do you get to hear the unforgettable dialogue of Gabbar – Tera kya Hoga Kaaliya?
i dont know why the critics say that its not a good movie. i think its a brilliant work by the whole team of gabbar is back. and i am sure that this is the 1st blockbuster of this year after baby. please give the right review. because this movie is most important for the all peaple.