Warm, witty, and well-performed, though its slow pace may not suit all tastes.
Verdict tier Recommended, most critics liked it, on a scale of Unfavorable, Mixed, Recommended, Exceptional.
Critic consensus
Piku drew near-unanimous appreciation from critics, with the overwhelming majority praising its warmth, humor, and emotional authenticity. Juhi Chaturvedi's writing and the performances of the three leads were singled out most frequently, with several critics noting how the film balances laughter and genuine feeling without resorting to melodrama. A handful of reviewers cautioned that the film's unconventional, slice-of-life pace and reliance on toilet humor would limit its appeal to mass audiences, and at least one critic felt the focus on bowel movements came at the expense of deeper emotional development. A few also noted that the heavy emphasis on Bengali cultural identity occasionally felt excessive.
11 not-rated reviews aren't plotted
Positive = 6.5/10 and up · negative = below 5/10
AI-generated summary of 38 critic reviews · may contain errors
Report inaccuracyFrom the papers
Top critics first, then by score · not-rated last · updated
Top critic
Film review ·
It is a film with tremendous heart -- one that made me guffaw and made me weep and is making sure I'm smiling wide just thinking about it now -- but also a sharp film, with nuanced details showing off wit, progressive thought and insightful writing. Take a bow, Juhi Chaturvedi, this is some of the best, most fearless writing I've seen in Hindi cinema in a while.
Top critic
Film review ·
Piku speaks its truth with simplicity and heart. It made me laugh and cry. And I can get behind any Hindi film in which a father says of his single daughter: "She's financially independent, sexually independent." Bravo.
Top critic
Film review ·
It's a charming, unpredictable comedy. Despite being obsessed with all the wrong body parts, it's a film that's full of heart.
Top critic
Film review ·
A warm, charming and bittersweet family drama, Piku turns the genre completely on its head. The result is a magnificently original film that delivers a memorably unique movie experience.
Top critic
Film review ·
Piku glides over all of these heavy-duty themes with breezy lightness and consistent, well-timed comedy. This is a road trip movie after all, and it's got hysterical, rapid-fire montage of cuts of the back and forth between the trio of Piku, Bhaskkor and Rana. The teeny bit of melodrama is handled beautifully by shuffling laughs and tears together like a pack of cards, making Piku one of the more emotionally honest films to have come from the industry.
Film review ·
The only problem with Piku was that it ended. Yet it ended just like the rest of the film - in perfection. You felt full, satiated and still willing to squeeze in one more delicious bite if offered. I can't think of a reason to take even half a star away. 5 stars.
Film review ·
Piku is an exceptionally intimate character study.The three principal characters bare their frailties on camera as though they were part of a reality show that had no cameras. The emotions are raw and unabashed. The three principal actors sink into their roles like monks bathing in the holiest water on this side of the Ganga.
Film review ·
Constipation, as a subject, is clearly not something that's easy to digest! But Sircar plays along with it; he makes you laugh with it; he lets you have fun with it. You become so much a part of Bhaskor and Piku's world that even the intermission seems like an unwanted break. Sircar strikes his masterstroke in the second half – where he makes you cry just as easily as he made you laugh.
Film review ·
Sircar's film is a feel-good, emotional tale, involving human relationships. Rarely do we come across films we can call gems and Piku is bound to touch your heart.
Film review ·
Piku will make you laugh, cry and smile all at once. It is a slice of life film that captures a rather unseen but the most real father-daughter relation ever. Don't miss this endearingly honest piece of work!
Film review ·
In the end, however, you will love this nutty comedy for its characters that are nuttier still. Much like all of us and the people we love. "Death and shit can come anywhere," says a character. That's quite a philosophy! Watch it, and then watch again. This one's a winner!
Film review ·
Piku leaves ample scope for stereotyping Bengalis but I'll resist the temptation to go in that direction. I will say though that their "roshogulla-ness" is taken in perfectly even when they are being nasty and well – passing of motions as emotions.
Film review ·
Piku's innocent toilet humor may be at the receiving end of some flak from certain sections of audiences but most viewers will certainly appreciate the spirit in which it's done. Piku will certainly prove to be a great experience for those looking for a nice family outing. But, if your sole aim is escapist entertainment then Piku would certainly leave you cold. Recommended!
Film review ·
his was a movie that completely caught me off guard. And however successful Baby and Badlapur were, they didn't make me want to go right back in. Only Dum Lagaa Ke Haisha did it better. I say, complete the trilogy of bodily fluids, Shoojit Sircar and Juhi Chaturvedi, but yes try to move a little north. But even if you don't, I don't think I will mind.
Film review ·
Everything about you and your precious relationships spoke to me, stirred me and I wish you could hear how deeply you touched me...
Film review ·
Whether it is the accent, mannerisms, expressions or timing, Bachchan shows that if the role has any potential, he can still make mince-meat of it. Piku offers the most wonderful time at the cinemas, don't miss out on it.
Film review ·
More than anything else this comedy got me slightly emotional thinking about how distracted we get by life in general that we often begin to take our old folks—parents, grand parents—for granted. We get far too edgy and impatient sometimes dealing with their old-age idiosyncrasies. God knows, at some point, they will be no more. And we will miss them forever…
Film review ·
With passion, there's precision too, the editing fish-bone sharp, detailing, down to Bhaskor's monkey cap, perfect. Some moments evoke Ang Lee's terrific 'Eat Drink Man Woman'. Others evoke your and my life. Together, Piku makes you shake with laughter. It also makes your heart cry.
Film review ·
...is a wonderful family film, which will certainly make you wear a broad smile.
Film review ·
... a must watch this season as it brings back the memories of the legendary directors Hrishikesh Mukherjee, Basu Chatterjee and likes. This is a film that shall grow with word of mouth.
Film review ·
Bengali or not, Piku is a mass family entertainer. This weekend, it will be a mistake not to catch up with her and her Baba's shitty problems. It is a film that will leave you with tears in your eyes and smile on your lips towards the end.
Film review ·
Simple and soulful, it leaves a sweet aftertaste that lingers for a long time after the lights go off.
Film review ·
And that's Chaturvedi's real talent: her writing never gets bogged down in seriousness even while dealing with serious issues. She successfully explores ponderous concepts, but through sparkling conversations about bowel movements. Piku is great fun. It's filled with laughter and so much motion as well as emotion that you will want to watch it again the moment you come out.
Film review ·
It's amazing how a good script brings out the best in actors and that's exactly the case with PIKU. PIKU is epic sh*t! You simply can't afford to miss this one.
Film review ·
In a rare reminder of Hrishikesh Mukherjee films, Piku is does not feel like a movie; it might as well have been a video recording of any family with an ageing parent and a single child taking care of him/her.
Film review ·
Piku brings to attention the changing trends in developing India in which young people living in metros struggle to make time for themselves and attend to needs of their ageing parents. There are some memorable scenes in which characters are unafraid to be vulnerable as they let go off their emotions. Credit goes to Chaturvedi that she does so simply, movingly, delightfully and more so in an unpredictable manner. Piku is a lovely tale which will touch your heart even if it does so by talking about bowel troubles.
Film review ·
Fake hair is well balanced with real moments and real people. The early morning milkman, the newspaper delivery boy and his cycle, the misty wintry mornings, the old Kolkata buildings and the roadside kachoris make Piku a delectable ride. Watch and drool.
Film review ·
Shoojit Sircar is obviously snug as a bug in a rug with the Bengali 'Kaalture' and that comfort reflects on the screen. Sharp screenplay and charming dialogues by Juhi Chaturvedi compliments the mood as the duo take us through a Basu Chatterjee, Hrishikesh Mukherjee kind of delightful slice of life experience. However, one wishes that so much 'Bengaliness' was not unnecessarily crammed into certain scenes. -
Film review ·
Unlike its cagey titular character, Piku is a film that's hard to dislike. It is structured as a journey that relies, at times forcibly, on the relatable nature of its protagonists. The music feels like a warm breeze, worldviews and personalities seem familiar, and the quiet final minutes reiterate the circular motion of life.
Film review ·
...is a largely impressive and splendidly fun follow-up by Shoojit Sircar to his fantastic Madras Cafe. The finale of the film does play a spoilt sport, but you're still left with the memories from one helluva journey you're unlikely to forget soon.
Film review ·
For the Masala flicks lovers, Piku is certainly not your cup of tea, but for the ones who love light and real cinema, do watch it this weekend.
Film review ·
Watch Piku if you are in the mood to watch a movie that's all heart. There are no larger-than-life heroes, dramatic transformations or neatly-tied endings. Still, Piku works its magic because it steers clear from the usual trappings.
Film review ·
Piku is a refreshing tale that acquaints us with one of the craziest father-daughter duos ever. It features three extremely talented stars who will not disappoint you. To sum it all up, if you are looking for a light-hearted film to enliven your weekend, Piku is definitely recommended for you.
Film review ·
The characters, though etched with firm, bold outlines, have just a shade or two inside. They are defined by but are also restricted to just their idiosyncrasies. For a film whose plot and progression depends almost entirely on its characters, they are limited. They needed to be illuminated by stories, anecdotes, to be constructed in layers that would have given them dimensions. They are not, especially Bhashkor Banerjee.
Film review ·
...is quaint and quirky, has a few chuckle worthy moments but never rises to any great heights in terms of content or form!
Film review ·
Piku falls short of being a masterpiece due to too much focus on motion and not enough on emotion. Nevertheless it is a cute little film that deserves a watch. Go for it!
Film review ·
Although "Piku" keeps you in "motion" for two hours plus, it is one of the most entertaining and enjoyable rides about life's fundamental needs, which you will thoroughly enjoy!
Film review ·
It's only after stepping into Piku's quirky world that we witness the brilliance of Shoojit's craftsmanship. How he uses bowel movements to weave together a touching tale about family love, without ever employing cheap thrills or melodrama, is remarkable.
Film review ·
It takes the most ordinary situations from daily life and churns out the kind of drama that's missing from modern mainstream cinema. There's a deftness to its emotions. There's a purpose to every point in the film. Even though this isn't toilet humour, you have grown adults constantly talking about feces and digestive ailments. It could all put you off. Instead, it draws you in. That's the hallmark of great cinema. It effortlessly speaks to its audience. It creates magical moments with the most unlikely situations. This one's definitely to be watched with your family, especially your parents.
Film review ·
...is a simple and funny movie which offers you a chance to get entertained with your entire family, as you don't have to fear about any adult content popping up.
Film review ·
Sircar's Piku is khoob bhalo jhaalmuri. Go eat. Digestion guaranteed.
Film review ·
Piku is a movie that urges one to approach life with healthy amounts of levity. It isn't perfect, sure, but it achieves the unique distinction of being a crowd-pleaser while spending a considerable amount of screen-time talking about Things You Don't Talk About, Ever.
Film review ·
Do watch this one, more so, if you are a Bengali. I bet you won't stop smiling for most of the two plus hour duration.
Film review ·
...has sectional appeal only. It is entertaining and very different from the usual commercial films but it will be loved by only the class audience and will, therefore, score in good multiplexes, mainly in the cities. But business in lesser multiplexes, single-screen cinemas and smaller centres will be low as the masses will not take to the drama. Its business will fall quite short of the investment made in the film. Release of one big film almost every week now will be a major factor to greatly limit the film's box-office prospects.
Film review ·
A worthwhile road movie despite an over-reliance on toilet humour...
From our readers
58 ratings · user score 7.6
Summary: Feel Good Movie Of The Year. ♦ 74% The trailers told us what to expect, and the film definitely lives up to what it endorses. Piku may have taken the subject of constipation quite too seriously, but it really is a realistic depiction of (familial) relationships. Story of a septuagenarian Bhaskor (Bachchan) who is more concerned about his health issues, especially his holiday tummy, has a daughter named Piku (Padukone). Piku takes care of Bhaskor like a child SHOULD take care of her parent. And that is what the primary theme of the film is, and it slightly preaches that towards the end. Although one cannot call the film preachy, it does convey a message or two. The plot begins with Bhaskor diagnosing his Delhi belly and ends when he finally empties his bowels, literally. His violent relationship with his digestive system is the reason he acts temperamental, which has far-reaching effects, mostly on Piku. How Piku tackles his snappiness forms the essential part of the film. It is appealing to watch the story unfold, and if one concentrates on the natural dialogs that are delivered by the characters, one is sure to lay back and enjoy a hearty chuckle. The humor is natural and the family ambiance is ideal for an afternoon watch with your family. How old age has to be handled the same way infancy is handled should be learned by the titular character, played beautifully by gorgeous Padukone. She is shimmering throughout the frames, but for me personally, Bachchan takes the pie. His portrayal is simply fantastic. That brings the attention to the perfect casting done by the makers; Irrfan is phenomenal and so are the pillaring cast. The subject of constipation is so comprehensively addressed one doubts if it is a guide for dummies. The soundtrack and score by newcomer Anupam Roy sounds repetitive, but strictly complements the theme of the film, which is part road drama. BOTTOM LINE: Soojit Sircar has carved something essential in Bollywood with Piku - a fine story whose effect may not stay for long, but its themes and performances certainly remembered in years to come. 7/10 - recommended. Can be watched with a typical Indian family? YES
Piku, a film by Shoojith Sircar, celebrates the father-daughter relationship in a very unique manner. Released two days prior to Mother's day, definitely celebrates this wonderful relationship between an aging parent and the adult daughter. It is being said that there is not much difference between a 7-year old child and 70-year old person. Piku explores the regular bittersweet relationship between parents and children. It stands true in our Indian context, where, the parent, who takes care of children, when grows old, wishes to be taken care of by children. Story telling is done in a unique manner, where most of the time, one problem persists i.e. constipation of the aging parent. Humour is linked to this. The punch line 'motion se hi e-motion hota hai' speaks volumes about the movie. I will not say that this movie will be liked by all the people, but I am sure, it would strike some chord and touch your hearts. Piku (Deepika Padukone) is a 30 year old professional associated with an architecture firm. Her father Bhashkor Banerjee (Amitabh Bachchan) stays with her, who has serious problem of regular constipation. He does not hesitate to even give message to the receptionist of Piku's office in regard to his bowel disorder. Piku definitely gets irritated by his habits, but that does not stop her from taking care of him. Piku is very well aware that it is her top most priority to take care of her father. Although, the differences between Piku and her father us shown, but the best thing is that, it is shown in such a natural manner. Piku wants to sell their ancestral house Champakunj at Kolkatta, and on Bhashkor's insistence (rather emotional blackmail), happens to travel by road. The cab service owner Rana Chaudhary (Irrfan Khan) chooses to drive the cab. Rest of the story covers their road journey: irritation of Rana with Bhashkor's and Piku's moodiness, Bhashkor getting insecure with Rana talking to Piku, bittersweet talks between Piku and Bhashkor (minus any emotional baggage), confrontation happening between Piku-Bhashkor, Bhashkor-Rana etc. Bhashkor says that females with low IQ marry since they leave everything for their marriage. tThe emotional troubles of the daughter is also captured beautifully. In spite of her wanting some space, she knows that she can't live without her father and vice versa. Such a beautiful relationship, where dependency of both father and the daughter are depicted in a simple manner with lot of humour added to the same. Bhashkor has no qualms in telling the prospective grooms of Piku that she is not a virgin and she is financially, emotionally as well as sexually independent. His idea behind this disclosure is to make the person decide against marrying Piku. It is interesting to see, how Bhashkor is particular about spelling of his name (Bengali roots). He picks up fight with the maid, keeps troubling his helper.But all these are done so naturally that one ends up believing in the characters.How role reversal happen?
Highly Overrated movie in recent times. Strictly watchable
Wonderful movie that has fantastic direction, interesting characters, great acting and an engaging story.
Women-oriented movies are a big business now. A few years back, they were scoffed at and consigned to 'women only' category as audience was limited for these targeted movies. Some became a commercial hits but others were the festival stuff or critics' 'delight'. But they were not on par with heroes' commercial movies. Over the years, matters have changed gradually. Heroine-centric movies are not only being watched, they are doing big business. The heroine is slowly becoming the 'hero'. Each heroine is doing at least one woman-centric film. They are low-budgeted so if they make profit, it is like icing on the cake. Mind you, they are not artistic in the traditional sense or parallel cinema. The line has blurred. And these movies are totally mainstream. These movies add to their acting portfolio too. While some women roles are memorable, many films are based on women. Right from Seeta Devi (Durgesh Nandini, 1927), Zubeida (Alam Ara, 1931), Leela Chitnis (Bandhan, 1940), Nargis (Mother India, 1957), Madhubala (Mughal-e-Azam, 1960), Meena Kumari (Pakeezah, 1972), Simi Garewal (Karz, 1980), Meenakshi Seshadri (Damini, 1993), Aishwarya Rai (Provoked, 2006), Preity Zinta (Kya Kehna, 2000), Tabu (Chandni Bar, 2001), Karisma Kapoor (Zubaida, 2001), Lisa Ray (Water, 2005), Kajol (Gupt, 1997), Shilpa Shetty (Phir Milenge, 2004), Sushmita Sen (Filhaal, 2002), Mallika Sherawat (Murder, 2004), Vidya Balan (Kahaani, 2012), Rani Mukerji (Black, 2005), Kareena Kapoor (Heroine, 2012), Priyanka Chopra (Mary Kom, 2014), Kalki Koechlin (Margarita With A Straw, 2015), Kangana Ranaut (Queen, 2014), Anushka Sharma (NH10, 2015), Alia Bhatt (Highway, 2014), and Deepika Padukone (Piku, 2015), and the list continues to 2015 and still pouring. It will go on till the cinema is alive, for without women there is no life. Back to Piku. It is the story of a father-daughter relationship that is surviving with bowel movements and then a road trip! Well, this is the gist of the story. 70-year-old Bhashkor Banerjee (Amitabh Bachchan) resides in Delhi along with his 30-year-old daughter Piku (Deepika Padukone). It is not easy tolerating Bhashkor as he is obsessed with his bowel movement. Piku works to run home. She has her own insecurities and ways to deal with them. Rana Chaudhary (Irfan Khan) is a taxi company owner, who secretly admires Deepika and helps out this Bengali family. As Bhashkor ages, he wishes for a trip to his home place Kolkata. Due to his bowel habits, he cannot think of travelling in plane. So a road trip it should be in Rana's cab with the potty place on top of the cab. Constipation plays a deadly role in cutting short Bhashkor's long life. Relief. Piku unites with Rana or on some such note the movie ends. The story is simply but the light hearted comedy arising out of Amitabh's constipation propels the movie. Of course, there is a real father - daughter relationship that at times is turbulent. Akshay Oberoi is in a cameo as Dippy's suitor. It was a delight to see Moushumi Chatterjee in the movie. Well, the movie could be called deePIKA (not PITA or PAKA) or PADUkone (stinks!) so a combo resulted in PIKU. This is a sparkling, heart-warming movie that gladdens the cockles of the heart. At times I sympathized with the father but most of the times I empathized with the daughter. I could understand her dilemma although the constipation part was new. And those associated weird sounds! Yuck! Three odd people come together and make a watchable whole. Not an easy thing in these times of picture perfect movies. So, next year, same time when Dippy gets her National film Award, don't forget that I already told you so via this review. Dippy is going from strength to strength. With Kat out of the way, this movie will further consolidate her position of being the number 1 heroine. And rightly so. She deserves it. This movie is the proof.
Definately a must watch for performance oriented movie lovers. The chemistry between the TRAINGLE(Amitabh, Deepika and Irrfan) was worth to watch. Deepika and Amitabh classically presented the Bengali accent in their dialogues. Irrfan always rules and proves that he is the best actor Indian film industry has got. Direction by Shoojit Sircar is mind blowing. He magically merged the great performances by Trio and a performance packed dialogues and screenplay with eavh other. Ending or better to say a climax moment was bit an abrupt and clumsy. Impreesed by Deepika's traditional Indian Woman look with suitable cloths according to the situations and a magical Bindiya between eyebrows. (Even intial credit sequence and used that same Bindii concept as with black blackground on which white credited names and "a red dot bindii for alphabets like i and j ".. Awesome art)
Piku Directed by Shoojit Sircar which is behind Vicky Donor and Madras cafe is an unexpected journey which will stand in somewhere between The Lunchbox and Finding fanny in case of charm.The story is simple but the execution make it a must watch.The real life moments in the movie make it different than others.The acting was good too. Camera work is perfect.
deepika,irfan and amitabh rocks.deepika looks beautiful without makeup in movie. i like irfan acting.the facts doctors unable to explained, its simply told by irfan. "aap indian style main baithathe hain ya western style main" i like another dialogue when irfan left calcutta's home-"meditation karti hain aap...dhyan .
Before I can praise anyone for this wonderful, wonderful film I would take a minute and congratulate Ms. Juhi Chaturvedi for her flawless, fearless and weirdly amazing writing. Because, before there is a camera there is a pen and a paper, a laptop and a keyboard, a typewriter and a cup of coffee and sometimes people like us forget to appreciate it. So Juhi Chaturvedi, wherever you are remember there's someone, somewhere who believes you are one of the best in the business. How can you make a film that is basically toilet talk throughout? The same way you can make a film about sperms? Shoojit Sircar's Piku is like a Sunday breeze that doesn't always have the most soothing and fresh air but it's a Sunday breeze after all, you have to go out and feel it. There are no cartoon caricatures, moving pictures and peppy number in the opening credits of the film. All you see are black-and-white labels with a singular red-dot (symbolizing the red bengali bindi) and a soothing sitar playing in the background. Almost instantly you can see the resemblance to a good old Hrishikesh Mukherjee film. The film opens you up to a chaotic Delhi-based Bengali household and its almost impossible to gather everything that is going around. You see a father-daughter duo fighting over how good and bad, walking will do to his morning poop. Opening up the movie like this, Shoojit insures that you get used to the loud and messy duo and almost instantly fall in love with them. There are no grand-moments no innovative gags just pure realism in daily lives that ignite an unpredictable yet fresh comedy. Piku is a special film, not because it has Bacchan saab and Deepika Padukone at their best but because it asks a lot of questions that every single one of us has to face at some point or the other. What do we do when our parents, the same one's who have made us, need us to take care of them? Do you cringe and run away from things? Or do you stay and help them, not because it's you duty but because of sheer love? Do you define a girl's intelligence by how she perceives things? Does a girl needs to get married in order to survives in the 21st century? There are million other important questions and strong themes around which the movie weaves. Even though the film doesn't answer all of them, it's surprising how the writer and director manage to make those strong themes sound very familiar and easy to digest. Piku the film has charming humor and an incomparable chemistry between everyone who graces the screen in this 2 hour 5 minute long rasogulla of a film that's drenched in the sweetest chaashni you can ever imagine. If that's not enough you have Irrfan Khan playing Rana Chowdhary, the owner of a private taxi service who is forced to drive the uptight father-daughter duo from Delhi to Kolkatta. There is a quirky road-trip film hidden behind this family movie that brings out the best out of everyone. Irrfan Khan with his trademark dry humor manages to make you laugh as he tries to convince the old man about his bowel movements and constipation problems. Even though the film is filled with toilet jokes its never crass. For an Hindi feature film the conversations are too long but take my word every single one of them feels like its written with great valor. Almost everything in the film is perfect. The musical score by Anupam Roy leaves a lasting impression, wherein the songs do not hinder the flow of the narrative. The camera pans out to the right things at the right time. For example you see see the camera pan into a Satyajit Ray portrait in Piku and Bhaskor's home, while later she leaves a date just because the bloke does not know any of Ray's work. There are at least 10 other supporting characters that come in and play their respective parts. When the film ends you actually remember every single one of them. Be it the three time divorced aunt played by Moushumi Chatterjee or Raghuvir Yadav playing the doctor who promises to miss the old annoying bloke as he embarks on a journey to his old home in Kolkatta. The only sore to the eye are the half a dozen product placements. But Mr. Smarty Pants Sircar has very intelligently placed them so that they are not annoying, at least not more than the adorable Bhaskor ji. I know I don't praise Deepika enough, just because I can't stand her but even I couldn't disagree to the fact that she is too good here. She actually holds her own in-front of the legend himself. I simple loved the subtle ending to this endearing film. Shoojit Sircar doesn't leave any half-measures here because even in the sad moments of the film he manages to make you smile and love the characters more than you should. Final Verdict: Piku has more heart than all 2015 films combined. Gather your mother, father, grandmother, grandfather and that kachori-eating aunt/uncle who constantly irritates you about how bad the generation is and go watch the film! It's wonderful!
Its a sweltering heat here bt when a girl with kohl eyed,elegant walk,infectious smile,confident,wearing long kurtis and jeans,having bindi adorning her forehead comes across and mesmerises u and u start feeling chill down your spine[in a likeable way], she is PIKU....its a coming of age sweet family drama which really de-constipates the old bollywoodish cliched style...a refreshing, non preachy film adorns with occasional rib tickling laugh...its a family ''highway''...dialogues full of motions irresistibly takes care of emotions...star cast stands out..i couldn't keep my eyes off deepika's nainas...even if she was crying,her tears rolling down her cheeks looked so beautiful that it captivated my heart...u can't say anythng abt irrfan and amitabh bachhan..they were as usual best..bt i wished, had amitabh's character been played by some bengali vetran actor unknown to hindi cinema,it would have impacted more...
I Love All The 3 Characters In This Movie..So Well Written And Well Acted.Very Well Directed By Shoojit.I Kept Asking For More At The End.
I had my apprehensions about Piku, a film which deals with constipation. But as soon as the film started, I was proven wrong. Piku Banerjee (Deepika Padukone) is a Bengali architect who lives with her father Bhaskor (Amitabh Bachchan), suffering from chronic constipation, in Delhi. His obsession with his poop makes him quite a handful for his dedicated daughter. This endearing father-daughter duo set off to Kolkata with Rana Chaudhary (Irrfan Khan), owner of a taxi business (because a 70 year old can't shit on planes and trains with alarming frequency, can he?), as a result of Bhaskor's opposition to Piku's plan of selling their ancestral home. Padukone is terrific as Piku, essaying a meaty role with ease. Bachchan makes you fall in love with Bhashkor, bringing in most of the humor, and Irrfan slips into his role effortlessly. Juhi Chaturvedi comes up with an excellent screenplay and dialogues, though the relatively simple plot does fall through in some places. Shoojit Sircar tells the story expertly in a subtle manner, never once going overboard with the drama. The way he handles the relationship between Piku and Rana is brilliant. Anupam Roy's music adds substance to the film. There is a lot more to Piku then just constipation. It might seem like a straightforward film, but dig in deeper and there's some truly fantastic cinema that shouldn't be missed.
Big B's appearances on the big screen has been far & few in the recent past after all it makes sense to be selective at this stage of his illustrious career. His previous release was "Shamitabh" in which he rocked & now we have "Piku" lined up for release. With a stellar cast in the form of Irrfan Khan & Deepika on tow; I certainly do have high hopes on this movie. In addition, it is directed by Shoojit Sircar who had impressed with his previous ventures. So will "Piku" pull in crowds especially since the publicity was rather low key??? Piku (Deepika Padukone) is a successful architect who had a tough time managing her career & personal life thanks to her chronically constipated hypochondriac father Bhaskor Banerjee (Big B). He constantly bickered with every individual that he came across be it the housemaid, his helper etc which created persistent headaches & embarrassments for his daughter. Bhaskor was obsessed about his bowel movements & that invariably took centre stage in every topic of discussion with Piku. Just like his other whims & fancies, one fine day he takes the decision to visit his ancestral home in Kolkata & insists on travelling by road. As always, Piku gives in to his wishes & make arrangements for their trip. How this trip eventually pans out forms the crux of the movie. After having impressed one & all with movies like "Madras Cafe" & "Vicky Donor", Shoojit Sircar is back with his latest venture "Piku" along with his partner in crime, Juhi Chaturvedi. He has once again done a fine job with a subject which we experience at some point of our lives & that is, a shift in responsibility. Juhi has to be appreciated for a commendable script which actually dealt with the serious topic of taking care of our parents but it maintained a light hearted undertone thanks to its hilarious dialogues. As for other technical aspects, the costume designer & make up artists needs to be applauded for Big B & Deepika's appearances. Big B was fantastic as the grumpy senile individual who made sure that he maintained the meter as there was the risk of overdoing it & reducing the character to a caricature. Since the past year or so, Deepika's career graph has been constantly on the rise with commercial & critical successes, the latter quality unlikely to figure in the report cards of many of the top notch actresses. She has improved by leaps & bounds with each passing movie which explains the reason for her apt portrayal of Piku. Coming to Irrfan Khan, he was awesome as usual & makes his presence felt in an emphatic manner though it wasn't as meaty a role as the other two. As for the rest of the cast, Moushumi Chatterjee impresses while Raghuvir Yadav has done a decent job. Verdict: Just like "Vicky Donor", this will also grow on the audience with time & will thrive on the positive word of mouth which its likely to garner in abundance. It might seem a bit off-beat but you can rest assured that you will be thoroughly entertained. In short, don't miss this bowel movement!!! Rating: 3.5/5 Regards...Ben
A simply the way movies should be, directed in a very realistic manner with realistic emotions and conversations that what piku is. A beautiful story with great characters and awesome dialogues. One of the best Bollywood movie ive ever seen...
Credits
Deepika PadukonePiku Banerjee
Amitabh BachchanBashkor Banerjee
Irrfan KhanRana Chaudhary
Moushumi ChatterjeeChaubi Mashi
Raghubir YadavDr. Srivastava
Jisshu SenguptaSyed
Swaroopa GhoshPiku's paternal aunt
Avijit DuttBodo Mesho
Akshay OberoiAniket (Cameo)
Aniruddha Roy ChowdhuryNobendu
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