It’s all very well being influenced by Iranian cinema but to try and incorporate similar elements without working out the cultural manifestations is sheer foolhardiness in my book. Praveen Morchhale seems sincere in his efforts to portray the problems faced by the aged and ailing- unfortunately his good intentions did not translate into a good film!

Clichéd representations of common stereotypes make the interest diminish. The performances by the three main leads and the all-too-brief bits of alleviating humor are the only magnets to your interest!

The film is lavishly mounted and Basha Lal’s camerawork captures the sensuality of the earthy Rajasthan canvas just as well as he does Sunny’s curvaceous body. And Leone does the rest. This is not much of a movie but an experience ..of the Sunny Leone kind!

The unnecessarily overly stylized extension of runtime towards the end makes it an anticlimax of sorts. But all things said, this one’s worth a dekho for sure!

The film looks good, is short on runtime and harbors on old-fashioned hysterics. Likeable but not exactly enjoyable!

There’s not much to the story and there’s even less weight in the dialogues. The characters all sound like petulant self-seeking individuals lost in their own self-importance and fake sentiment. There’s an effort to shore the weak scripting with pseudo-verse and music that sounds like a bad imitation of sixties rock but it fails to impart any affect. The performances are stilted at best. No one looks comfortable in the skin of the characters they assay. Suresh Kumar Rajan’s cinematography manages to capture the beauty of the region but fails at creating vivid atmosphere for the trip that appears to be going nowhere. The film of course, stays true to it’s title. Everybody does get screwed here-including you!

There’s a twist in the tale but it comes at a time when you’ve already lost interest in the entire sorry set-up. Most of what transpires is imminently predictable and unexciting. The basic premise had some promise but Japinder Kaur’s direction is totally uninspired. It’s all so heavy-duty and labored that even the light hearted moments fell like dead-weights.

The only thing that holds you spell-bound here is Chitrashi(Chak De) Rawat’s spunky, feisty and gritty performance as the defeatist who tries to rise to the occasion in order to save those around her who need help. But for that unalloyed performance , this film would have been just another exploitative attempt at exposing the depravity prevalent in society.

This novel attempt to foster Hindu-Muslim amity is pretentious at best!

At best ‘Hunterrr’ is interesting and entertaining – It certainly could have been much better than that though!