• There are weighty issues out here and it’s not just the narrative that I am talking about. Mohit Suri’s workmanlike direction misses the wood for the trees and the ‘thanda’ chemistry between Vidya Balan and Emraan Hashmi makes this desert bound drama lose it’s grip in the quick sand of forced unflattering togetherness.

  • An unedifying cross between a typical Karan Johar scenario set in an ‘Honeymoon Travels’ backdrop- only this time it’s not a bus but a cruise ship where all that relationship fracas between the members of a high-society family happens- with friends and onlookers butting in to add chaos to the confusion.

  • The film has a very cheap look to it. The production values are suspect. The tacky opening credits itself give you the feeling that there’s very little of affect to follow. The script lacks basic sense. Even if the characters are supposed to be dumb misfits, there has to be some logic in setting them up on a path to redemption. That’s not to be found here. the dialogues sound disconnected. The set-ups are all lacking in finesse.

  • There’s really nothing to distinguish this film from Mallika Sheravat’s ‘Dirty Politics’ except for the cast. Familiar faces hog the roles of villainous politicians. Even newbie Meenakshi Dixit who is supposed to be having a good run down south doesn’t really make a mark here.

  • The characters are cliched and the plotting doesn’t have anything interesting powering it. The screenplay has nothing much to joke about- just some silly, oft repeated age-old situations that don’t exactly measure up as humorous. The treatment is neither interesting nor entertaining. The music is the only saving grace here. It’s quite ear-pleasing otherwise everything here is loud, heavy-duty and conspicuously overdone!

  • …is quaint and quirky, has a few chuckle worthy moments but never rises to any great heights in terms of content or form!

  • The preachy overtones, the conscious sermonizing, silly antics, unbelievable action stunts, confounding logic in the sequence of events and Kumar’s staccato dialogue delivery don’t allow for much enjoyment here. Standard Stereotypes ,clichés, formulaic elements make it that much more difficult to make sense of. Director Krish and his editor manage to make it slick but the disjointedness and incoherence doesn’t stay hidden for long. Watch it only if you are a die-hard Akshay Kumar fan!

  • Well there was a moral to it I guess but the treatment and narration was so artless and boring that it could put you to sleep. Vinay Pathak tries to keep things real and empathy worthy but the character he plays just doesn’t seem to be from the real world.

  • The songs are lilting and hummable , the story is engaging and involving and the runtime is not so much of a stretch.

  • The script in fact goes haywire trying to justify the hue and cry over something so innocuous. The coherence and tension are missing big-time. The tone is pretty much flat and the treatment more toonish than satiric!

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