Commonsense has no room in this drama as the kids are unleashed on unsuspecting viewers.
I guess, the director had SOUND OF MUSIC in mind when he set out to make AKKAD BAKKKAD BAM BE BO.

CHAAR DIN KI CHANDNI shows a lot of promise as a good comedy film early on, but totters in between.Somehow, director Samir Karnik manages to hold the film together and does come up with some hilarious scenes that will leave you in splits. CHAAR DIN KI CHANDNI is not all that bad. It’s a good family entertainer if you are looking to lighten up your mood.

The movie is enjoyable with a neat twist at the end. But had the editors made use of their scissors, this could have been a snazzier film. Nevertheless, it does entertain.

TNLHG could have been a good Valentine’s Day release. Also, coming soon after the Riteish Geneila marriage, it would have added as a curiosity factor. All the same, this is a fun film worth a watch.

Sachin is a mechanical engineer who is jobless. He loves the world of cinema and is lured by the action behind the lens. Jessie is a genius in math. She is a working girl, who hates movies. She lives on the floor above Sachin and when they first meet, Sachin has his heart in his mouth. He relentlessly pursues her. There’s opposition from her family; she being a Catholic and he a Hindu is not something her father is too thrilled about. Add to it that he is jobless and a tenant in her father’s home (this fact is not established in a manner that it should be). The story then is how he goes about winning their hearts and hers.

The film is flawed right from the planning stage. There are plots within a plot and the directors do not know how to handle the back stories. Everything is just thrown in, like an inexperienced cook would do to a dish hoping it would taste good.

The movie should strike the right chord with audience from within the college community and those who have just begun their professional career.

This GHOST is a nuisance. The directors needs to learn the ABC of scripting before venturing into a horror story. What he does know is to keep the lighting low and make scary background sounds.

The 2003 Hollywood release, THE ITALIAN JOB was a decent flick. The movie opens with the heist of $35 million in gold bars from a Venetian mansion. And although PLAYERS, Abbas-Mustan’s latest offering is a straight lift from the Hollywood flick, they fail to even lift impressively. I mean, you have a ready plot, you know what each actor’s role ought to be and the screenplay is well laid out. All they have to do is adapt it to the Indian audience which, frankly speaking requires a little imagination. That’s where they suffer!

The beginning itself is a bummer. Everyone wants Don dead and the Malaysian cartel where he is king has been given a deal by gang lords in Europe to finish off Don so that they have a network there.