Highway whips up all the ingredients required for an intriguing film but goes wrong as a whole. It is bold subject handled flimsily and doesn’t come close to believable. There is excessive heavy handedness in the screenplay and somehow the effortless ease that signifies the beauty of Imtiaz’s films is absolutely missing from it. There is far too much of incoherence in the screenplay to bear and though it tried its hand at adding varied hues to multiple layers of the story, one cannot disagree to the fact that it is only Rahman’s divine music and the pristine cinematography that works here. It left me baffled and numb especially because I expect better from Ali. It is heartbreakingly mediocre and I am settling for ratings which translate the same.

Shekhar Suman’s Heartless is a disappointingly flat film. With the story lacking novelty and the filmmaker failing to fill in anything new or intelligent in it, the film loses mostly because of Adhyayan Suman and his on screen lady love Ariana Ayam. Awake had me haunted for days, Heartless too does the same with equal intensity just in an entirely different sense. It will take me very long to pass through the troubling persistent boredom the film filled me with. It was an unmatchable fiasco.

The stretched screenplay is tiresome, the lead actors are awfully boring, the dialogues were a flop show, the story was futile and utterly pointless and mostly even after a good first half of the film finished up, I was clueless about where the film is heading. I have admired Abhay Deol since Socha Na Tha but this was his most sub standard performance till date.

If bad films could kill, this review would have reached out from beyond the graves to you. I haven’t had such a terrible time at the movies in a while. The horrible mishmash of ridiculous dialogues, inane script and naive acting couldn’t take this film anywhere. I am going with a 0.5/5 for the film and request you to refrain from watching it even when premiered on television.

…not expected to be a work of genius. I wasn’t hoping for another Avatar but I was definitely looking for more meat than what was served to me. Except phenomenal voice casting, the film has very little to gloat about. Don’t waste your time at the theaters on this one and wait for the TV telecast. Indian animation can easily show more wild originality than what we got here. Buck up for the next time.

Jackpot leaves you so exhausted by the end that you’ll be yawning uncontrollably. After films like this, I actually develop a soft corner for masala potboilers. Without an ounce of novelty, the film in my eyes committed the crime of wasting actors like Makarand Deshpande and Nasseruddin Shah.

An absolutely lame and ridiculous film barring Dimple Kapadia’s scorching screen presence, it makes no pretense about being utterly stupid. It is an empty film with no thrill, no excitement and mostly no fun.

…a below ordinary, at best Prabhudheva’s most modest work till date. Setting up the usual claptraps with parading dialogues, the film bludgeons you to bits. The fun moments are few and though you might find yourself guffawing in parts, in the end the film is neither cohesive nor compelling and that too without an over enthusiastic lead man that you expect from such films.

It wasn’t fun and definitely not bang for the buck.

with its grave minuses and fewer plusses is an underwhelming film much to my disbelief. The last few films of Dhulia had made me believe that he ranks amongst the top notch filmmakers of this generation. Unfortunately the man goes wrong with his favorite recipe of showcasing the ills of political nexus, as he hands out a story that barely has any moments and remains flat for most part. Saif Ali Khan and Jimmy Shergill chemistry is the only best part from the acting section. But in all its triteness, Bullett Raja is Dhulia’s most uninspired work till date.

…isn’t a terrible film but it is massively disheartening and mood dampening because of its imitative premise. Hrithik reprises his role of Krrish with an enigmatic energy and infallible which is the film’s most glistening point. The ludicrous storyline is miffing but the chiseled bodied superhero indulges us enough to make this film a decent one time watch this festive season. Don’t expect too much or pine excessive hope on this one. A well intentioned, brave effort but falls notches beneath an exhilarating cinematic experience.