Dishkiyaoon is a bad film. There are no second thoughts or views on that. Terrible acting and a horrible screenplay is crucially damaging to this movie. I was very close to giving it a zero but the last scene and Sunny Deol earn this one a lenient 0.5. Kindly refrain from this altogether and do your filmy mind a favor. This is injurious to film viewing experiences as a whole.

…a must-avoid film. It is garish, silly and often lame. It would be preferable if people do not tarnish the name of Bhooter Bhobishyot by calling this outlandish a remake of it. It is a mere copy, scene-by-scene, dialogue by dialogue but misses the spirit of the film overall. Quite a poor show.

…has every element in it that makes it a flattering watch. Heart warming in parts and easy to get entrapped in, the film is mindbogglingly engaging. Its impossible to dismiss this film, because of its mounting moments that soar all through. I am going with 3.5/5 and a simple question. When is your next expected Mr Kapoor?

Lakshmi is in one word a heroic film. Not only for the story that Kukunoor has decided to tell but also the crude manner in which he tells us that makes a far reaching impact. This is a film that will penetrate into your psyche and horrify you to wits for being a vehemently powerful and intense story. More of such heart in your mouth stories are needed to bring about changes.

…is far more lucid than Ragini MMS. Though the first half isn’t exactly remarkable, the build up to the second half, the well used titillating show and the tight eldritch climax is what makes the film a worthwhile film here. Do not expect anything beyond mindless entertainment because this film is just the horror variation of a commercial potboiler. Don’t attach logic, don’t expect intelligence, just get entertained.

…a well crafted film that misses the rightful rendering. A meandering screenplay turns it bland and messy but for Rishi Kapoor’s catchy role it is worth giving a shot to. For me it was the dilemmas of the film’s protagonist and him losing his edginess and confidence due to the sudden loss of job amidst downsizing was the real story. Channelized focus on that and here could have been a breathtaking film. Bewakoofiyaan scores notches below its aim but is definitely recommended for a one time passable watch.

…easily one of the most accomplished films made in a long time. The skillful direction of Vikas and Kangana’s easy virtuoso makes this one an indulgent affair. For the constant smile that it left on my face, the hiccups were all forgettable. I am going with 4/5 and recommend you don’t it for the world. Scores above Bravura!

Total Siyapaa is audaciously maddening. Even the slight magic that the story might have had gets butchered in the screenplay. Leaving behind no feeling, neither comedy nor romance, I have not an inkling of an idea what were the makers trying to create here. It could have been something flattering if it were in the right hands. I am going with 1/5 for this misguided, shaky venture that might be the right recipe of boring you to death.

…is not unforgettable but not unwatchable either. With many euphoric moments of utter jubiliation, the film’s stronghold is Madhuri and Juhi with individually mettlesome performances and the friskily excitable chemistry together. Though the film fails to use its scope rightly and delivers an extremely creased up affair. But for it’s impeccable leading ladies who are gritty is their parts, the film slips out a 3/5 from me. Far from perfect but engrossing nevertheless.

Frankly, I love the first half of the film. It was gripping and taut, though unoriginal, I thought it was magnificently done. The vivid and sparkling chemistry of Vidya and Farhan manage to hold you through tight and still. However, in the second half, the film begins a journey downhill, slipping vigorously slide by slide, getting schmaltzy quite unjustifiably. But in the end it still manages to deliver a product that is overall a surprising winner of sorts.