• Heropanti makes no fuss about being a bad film. Unapologetical about being a dismal​ and shabby affair, Heropanti serves only two purposes: Giving Bollywood an heir to Akshay Kumar who kick boxes like a star despite having Kareena Kapoor’s cutesy face and an actress who has a lot of latent potential along with her resplendent looks, waiting to be used in the right project.

    Lamentably, the film allows no bandwidth to save this Tiger.

  • If you are going for the film hoping to catch up on some suspense thriller, The Xpose will surely disappoint you. It is a half baked attempt at creating a scandalous 60s era with underlined themes of sex, infidelity and murder. With tongue-in-cheek dialogues, I found the film unsuccessful at creating suspense.

  • I did not leave the hall with a smile after Yeh Hai Bakrapur for the simple reason that I saw there was lot more potential entrapped in the story than what came out on screen. The frenzy for filmstars in our country left unexplored despite being hinted on repeatedly.

    The flat climax and dissatisfaction after the ending left me dull. There was so much matter put to so little use.

  • The film is a love revenge saga that may entice you only into phases. While the music is complete downer, there is less to look forward to in this film. If you are a person high on optimism, this film may impress you with its positivity and underlined message. Kaanchi could have been Ghai’s Rang De Basanti had the script been strong enough.

  • Jal is a magnificently shot film but doesn’t quite imbibe the needful spirit. Though Purab Kohli proves his flair as an actor, the film tries its hand at being a Shakespearan Tragedy where a hero is felicitated posthumously. Unfortunately, despite the fantastic cinematography the lack of soul doesn’t quite make this an impressive fare.

  • Dishkiyaoon is a bad film. There are no second thoughts or views on that. Terrible acting and a horrible screenplay is crucially damaging to this movie. I was very close to giving it a zero but the last scene and Sunny Deol earn this one a lenient 0.5. Kindly refrain from this altogether and do your filmy mind a favor. This is injurious to film viewing experiences as a whole.

  • …a must-avoid film. It is garish, silly and often lame. It would be preferable if people do not tarnish the name of Bhooter Bhobishyot by calling this outlandish a remake of it. It is a mere copy, scene-by-scene, dialogue by dialogue but misses the spirit of the film overall. Quite a poor show.

  • …a well crafted film that misses the rightful rendering. A meandering screenplay turns it bland and messy but for Rishi Kapoor’s catchy role it is worth giving a shot to. For me it was the dilemmas of the film’s protagonist and him losing his edginess and confidence due to the sudden loss of job amidst downsizing was the real story. Channelized focus on that and here could have been a breathtaking film. Bewakoofiyaan scores notches below its aim but is definitely recommended for a one time passable watch.

  • Total Siyapaa is audaciously maddening. Even the slight magic that the story might have had gets butchered in the screenplay. Leaving behind no feeling, neither comedy nor romance, I have not an inkling of an idea what were the makers trying to create here. It could have been something flattering if it were in the right hands. I am going with 1/5 for this misguided, shaky venture that might be the right recipe of boring you to death.

  • …a decently made film that involves you in the story quite enthusiastically. The story might suffer from too many problems but the final cut doesn’t translate the glitches. Using the littlest things to evoke fear, the film’s narrative uses a simplistic vein in telling the story without making the audiences rack their brains to much. The usual favorites of the horror world is spread out on a platter. However, for those who are expecting more from the film might be disappointed because it is the usual done powerfully but lacks the stylish shrewdness in it.

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