• Films like Miss Lovely are a diminishing species. Brimming with an extravagant concept, the film is made with poise as it captures the dark world of sleaze and horror. I for one found myself with a racing heart and heart in my throat by the end of the film and it takes me quite a cinematic momentum to push to that extent. Ornately shot, fabulously performed and intelligently thought.

  • Dedh Ishqiya is a sexy film. Mystically poignant, grippingly lucid, dark, subtle and so invigorating-ly well performed. It’s not everyday that you stumble upon near perfect films which entertain you so enthralling-ly… Abhishek Chaubey topples the standards he set by his last film Ishqiya and delivers a more intricate and more pioneering work of outright genius.

  • Dhoom 3 was spectacular and majestic. Keeping a strong hold on the emotional prowess of its plot, the film sews in the slick action so awe strikingly. Don’t go in expecting an Aamir Khan film because it isn’t without flaws. But it gets right everything that is must for a commercial film, especially its ability to grasp on to the interest of audiences. Even cool thieves are vulnerable people and to be able to get that correct is what makes Dhoom 3 a winner. One bang up job!

  • It isn’t flawless but it is immensely watchable. The film’s positives easily topples its negatives which is why I recommend you to watch this. Kareena-Imran are one unconventionally fantastic on screen pair who make sure GTPM is a wonderful experience for you. If you thought Ayan Mukherji was Karan Johar’s true protege, Punit Malhotra has upped his rank by emerging as a competitor.

  • …is far from an impeccable film. Rather it is an exclusively loud film but in an era where Bollywood is becoming unusually predictable, here is a story which shows a flair of rare novelty. For Sunny Deol and Prakash Raj’s pummeling duels, I found the film satiating for its potent message. It is way better than the ranks of awfully mediocre masala film we are compelled to watch week after week. A strict not-to-missed for Sunny Deol fans who are sure to have an enjoyable time.

  • Sanjay Leela Bhansali still masters his marvel at making magical films. Picking up an unoriginal and much beaten about idea, he mystically tweaks out a work of genius. Indefatigable and supremely engaging, the film despite its ostentatious feel is at core a fierce love story enacted effectively by Ranveer and Deepika. Putting up an astonishingly prodigious chemistry, the duo pull through the film with might. Cinema should be a fulfilling experience like this!

  • Shahid Azmi should be one of the most memorable dissidents of recent times and Hansal Mehta’s film Shahid does justice in paying the perfect tribute to the slain activist! Quite aptly named, Sahid did turn out to be an angel for many who were serving years behind the bars based on needless false accusations! The film is a gripping-ly told story of courage that ends on a pertinent note teaching us the crucial lesson about the dichotomy of right and wrong. It is extremely essential in a multifaceted country like ours to be fair and the film subtly preaches the diktats of the man – the film pays tribute to – who was haplessly slain at the tender age of 32! It is a captivating film that makes me assign a 3.5/5 for this one! Some stories have that enchanting quality in them and Shahid stands as one of the potent examples in recent times.

  • Faraz Haider’s War Chhod Na Yaar is a treat of film that manages to evoke moments of ecstatic delight with its simplistic take on the horrific brutality of war which pointlessly creates havoc in the lives of people. The film could have gone massively wrong but the good part about this flick is, it convinces you about its premise entertainingly. I am going with a 3/5 for this film that flaunts fun and wit without a hint of crudeness that has lately become synonymous with funny! Recommending you catch film at the theaters and have a pleasant time.

  • The Lunchbox is one of those films that will mesmerize you with dripping simplicity. Irrfan Khan and Nimrat Kaur build their character intimately without meeting each other for once all through the film. Normally such stories lose their steam soon enough, but Batra’s expertise handles the film with its ingrained beauty of an unlikely love story. It is such a potent and effective film that I can’t really settle for anything less than 4.5/5. It is only sometimes that one encounters an unblemished film, this ranks among those few for me!

  • … a welcome change for the cynics amongst us who find typical romances like DDLJ filmy and unreal. The blossoming chemistry of its lead actors is a swell, but mostly this is a film that encapsulates the lives of ordinary people who perennially live in the fear of commitment and yet dare to take the leap for love every time! Call us confused, but atleast we are honest and don’t foster any sham! I am going with a 3.5/5 for this imaginative and luscious feat.

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