Filmistaan is packed with great background scores, unfaltering narration and stellar performances.

It’s also one of the best films I’ve watched since Queen and D-Day; it’s absolutely flawless.

There are films built around the theme of violence and then there is violence for the sake of making a film — The Raid 2 happens to fall into the latter category.

Packed with lovely visuals and a predictable plot, this film is a one-woman show that could have been a little less brooding. It could have been brilliant but it chose to stick to its seat with its safety belt tightly binding it down.

Its sad when a film fails to realise its own potential.

Maleficent is almost magnificent.

Over all, Heropanti is an amusing yet bland modification of the classic Dilwale Dulhaniya Le Jayengey, featuring some of the most fake Haryanvi accents this North Indian has ever heard.

The film could do with more action and less drama. The most masala-less masala movie I’ve watched in a while.

Mighty Raju: Rio Calling is just an animated, toned down version of Krrish 3 for children — and it’s mighty awful.

Million Dollar Arm may have a point when it questions the treatment of players as commodities and not humans, it overdoes the white saviour bit.

This film is more about experiencing hope than it is about paying attention to the technical aspects and the unfortunate socio-political climate that prevails around us makes it a must-watch.

Manjunath is a lesson in humanity we all need at the moment.

Yeh Hai Bakrapur fails to live up to its early promise due to lacklustre direction.

The film is also shabbily edited with abruptly cut scenes in several places.

Unabashedly sexist, regressive, poorly researched and lacking the punch a college romance film is supposed to pack, Purani Jeans can easily give Yaariyaan a run for its money when it comes to being the worst film in the recent history of bad films.

After watching Purani Jeans for 138 minutes, I have decided to discard my denims.

Brick Mansions never slows down enough to let you enjoy the brilliance of David Belle’s liquid movements and never speeds up the story to keep you from yawning.