• The Perfect Girl has caused a crater to form on my desk because I keep hitting my head against it as I recount this less than perfect slow poison of a film to you.

  • … in its present form, Jaanisaar is a test of endurance.

    A film that helped me discover that dark space between frustration and boredom, Jaanisaar would have been a more honest work of art if it were titled Jaanleva.

  • It could very well be the most unremarkable Hollywood film of the year; a complete waste of time.

  • Despite strong performances, Aisa Yeh Jahaan fails to engage due to its shaky storyline and scattered plot.

    It is a half-baked attempt to create something beautiful.

  • A fitting tribute to the lady who made jazz and the blues both interesting and accessible to a generation that couldn’t comprehend Miles Davis or Dinah Washington, Amy will make you wonder why we are so critical of icons we swear to love.

  • The Gallows will probably appeal to high schoolers at a sleepover. For the rest of us, a rewatch of The Blair Witch Project will have to suffice.

  • Too long to keep its audience glued, Minions could have been a much better watch were it Minion sized.

  • Bezubaan Ishq is pure drivel…

  • A simple story of demonic possession seems to have gotten lost in the mists of the Further while one was away during the interval, the ends of which are tied up with laughable simplicity and a saddening lack of creativity.

    Much like a bumbling partner in a three-legged race, the second half of the film weighs its first half down.

    Insidious: Chapter 3 is less insidious and more insipid.

  • Welcome 2 Karachi could have done better had it invested in a good VFX guy. We’ve seen better special effects when it comes to bomb blasts and sea storms on CID.

    Somebody needs to take this monstrosity to the cutting room floor and chop it up like nobody’s business.

    Somebody also needs to put actual musicians at the helm of the sound department.

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