From ensuring the soul is intact to successfully recreating a story for a completely different set of audiences, Oopiri sets a benchmark for adaptations in Telugu cinema and paves the way for more exciting genres. Director Vamshi Paidipally makes a difficult task seem easier than reading out ABC! And, he does that by bringing together two leading mainstream actors from different film industries. Can it get any better?

Yes, the audience doesn’t seem to tire of watching the formulaic films but that time is fast approaching when they’ll finally snap and shout – ‘Enooooouuuugh!’. Krishnashtami hopefully rings the alarm bell.

Nannaku Prematho is like a delectable serving of dessert with a hint of tang. The flavour may seem out of place initially because you aren’t used to it. But if you try it with an open mind, you’d probably savour it.

In the list of fails in this film would be the comedy which leaves you with little or no laughs at all. And then, the first half moves on to be very slow, though it is compensated by the pace of the latter part of the film.

This film perhaps can sustain the attention of hard core Ravi Teja fans. But, be warned and keep your expectations in check.

While we are getting used to this “second half syndrome”, this is one of those rare cases where the second half shines over the first. And yet again, a story with potential goes awry.

Size Zero is slow at times and can go into a sermon mode but then it packs some moments which will make you laugh out loud. You could watch this film anyway because there’s no effort and it’s not like you are burning any calories!

… the film, helmed by Rajesh M Selva, has technical brilliance. The thing with the film is that it has its heart set in the right place but it’s the beats that are occasionally irregular.

Kanche is a daring attempt for mainstream Tollywood cinema. While there’s an interesting story which is told really well, you will be left with the lingering feeling that it could have been a lot better.

The film’s graphics are lacklustre and tacky with the 3D feeling unnecessary, but Gunasekhar tries to make up for it with a narrative. And he does present a pretty decent tale where he presents interesting details about history.