• Laal Kaptaan is a boring and self-absorbed period drama – one that is so obsessed with historical detailing, eccentric characters, bare physicality and country-style pace that it forgets to be narratively and humanely absorbing.

  • Hustlers’ biggest triumph lies in how it ceases to matter who the Caroline of the story is and who the Natalie. At times, it counts on the possibility that we can’t tell one from the other. After all, if motherhood is a mental illness, friendship is a viral infection.

  • A Semi-Effective Police Portrait That Commits To Its Hero…Batla House is forced to take a stand. And it does, in good conscience. Which is more than can be said about other Hindi movies of whitewashed history

  • It’s hard to make intelligence look entertaining. But it’s harder to make intelligence look stupid. And yet, this is exactly what Mission Mangal manages to do

  • A Profoundly Unfunny Comedy That Oversells Its Spoofy Tone…A feature-length comedy that somehow manages to embody all the lazy stereotypes it makes fun of

  • A remarkable film which cuts deeper and darker into Uttar Pradesh, a State (and a state) that best reflects the nation’s mass rhetoric

  • A Greatest Hits Mixtape Of A Fading Superstar…Khan goes from age 8 to 70 in an awkward, episodic narrative that tips its hat to his transformation from Prem to Chulbul to Tiger

  • India’s Most Wanted is a tragic waste of its source material. A real-life chase demanded the bare-knuckled Paul Greengrass, Kathryn Bigelow or Delhi Crime treatment. The feasibility of the story itself is the film. But the language it uses – that of Kabir Khan and Neeraj Pandey spy/action dramas – is more suited to the fetishization of a make-believe genre. Almost as if the director doesn’t trust us to understand that capturing terrorists is not a mundane 9-to-5 job. This, however, does sort of explain the coming-of-age soundtrack. Forget finding the bad guys; I hope they found themselves.

  • A Crude Social Comedy With A Man Problem …The film starring Ajay Devgn and Tabu as a divorced couple isn’t a very thoughtful ‘social comedy’

  • SOTY2 can be described as a parody of Main Hoon Na, which itself was a parody of every desi college-campus movie ever made; a parody of a parody is called…reality

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