• Lingaa can get tiresome, especially with the too-long fight scenes, but remains constantly watchable because of the miraculously light way in which Rajinikanth continues to wear his megastardom around him…

  • Action Jackson is a drinking game of a film, one well over the so-bad-it’s-good line, its main merit being that in a sea of superstar-massaging vehicles, it holds some genuine surprises — and makes sure its hero looks like a jackass.

  • Go, get to know Boyhood. Soak it in and let it enrich you, amuse you, hold you close. Let it open your mind a little bit more toward the possibilities great cinema holds. Live it. Let this film be your jam.

    To paraphrase John Lennon, life is what happens when you’re busy watching other films.

  • Rang Rasiya is not a consistent film, but one that tells a story of a pioneering artist and visionary, a story decidedly worth telling..

  • It’s a film with cool female characters (I wish the gawky Honey Lemon got her own comic book, for example) and one that is besotted with technology the same way you’d expect kids reared on iOS devices to be.

    It’s all detail, with parts of the film even reminiscent of HBO’s fantastic (but decidedly grown-up) comedy, Silicon Valley.

  • Interstellar is an incredible ride, a film that will scare and stupefy and drop jaws and make us weep, the kind of film that makes our hearts thump against our ribs for forty straight-minutes and makes us believe in the glory of the movies…

  • It’s all about Indiawaale, and while Sonu Sood stays consistent and Deepika inevitably dazzles, it is Shah Rukh himself who appears the most out of place — in a movie made to rest on his shoulders. Perhaps they piled too much onto him; perhaps the decades of raising those arms into that iconic pose have taken their toll… Either way, Happy New Year never gets to soar.

  • It isn’t awful, there are laughs, but it’s nothing you’d remember or recommend.

    Then again, since when do we recommend sex tapes in the first place?

  • Sonali Cable starts off as an intriguing story but disconnects itself from the point of the film incredibly fast…

  • This is a stupid, stupid film trying to be slick, a B-grade film made on an A-list budget.

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