Heartbreaking, uplifting, liberating…Joy makes you instill faith in your abilities once again. It has that ‘The Pursuit of Happyness’ (2006) feel to it.

Hooda deserves to be appreciated for not making the film look like a propaganda vehicle. Fortunately, the guru is not presented as the MSG-esque superhero. Unhurried, peaceful and meditative, the treatment is therapeutic. However, you wish the film had delved deeper and would have been far more profound in its approach. The story seems preachy in places and execution, oversimplistic.

What could have been a decent revenge drama gets marred by uninspiring (hero) & overdramatic (heroine & the villain) acting.
The Dabangg-esque climax is predictable but probably the most effective sequence in this formulaic film.

This one is a terrible remake. Everything is in excess…

Naseeruddin’s Shah clever (as always) acting, ably supported by Amit Sial and Anand Tiwari, makes this crime mystery gripping, despite the flaws. If you can keep a tab on the multiple characters and their ulterior motives, this one is quite unpredictable and keeps you guessing.

The inability to expand the basic idea into a solid story lets this otherwise well-intentioned film down.

Kunal Kemmu tries his best to make this dickfest watchable but it’s outright repulsive. Strangely, not because it revolves around a male organ turning into gold but because the film has no substance or humour whatsoever.

Titli is not for the faint-hearted as it not only introduces you but makes you feel a part of the family that gives you the creeps.

…seems like a never-ending wedding video of an acquaintance, you feel nothing for. It’s loaded with mandatory party/ wedding songs, honeymoon jokes, friendly banter, mummiji’s drama, et al. What the film lacks is heart and scrumptious food!

Chinar, which presents its lead actors as messiahs of true love is dated and inconsequential. Terribly disappointing.