• The inability to expand the basic idea into a solid story lets this otherwise well-intentioned film down.

  • Kunal Kemmu tries his best to make this dickfest watchable but it’s outright repulsive. Strangely, not because it revolves around a male organ turning into gold but because the film has no substance or humour whatsoever.

  • …seems like a never-ending wedding video of an acquaintance, you feel nothing for. It’s loaded with mandatory party/ wedding songs, honeymoon jokes, friendly banter, mummiji’s drama, et al. What the film lacks is heart and scrumptious food!

  • Chinar, which presents its lead actors as messiahs of true love is dated and inconsequential. Terribly disappointing.

  • The pace is so sluggish that you can take a good 20 minutes nap anytime during the film and still get the story. As a comedy, the film fails big time. Nothing about it is intentionally or unintentionally funny. It makes you want to yell at the actors and ask them to stop talking.

  • A simple take on surviving in Mumbai and true happiness – you won’t mind watching this one unless moral stories really bug you.

  • Time Out may not have a hard-hitting story but it does make you think. Under its Richie Rich garb, lies a thought that’s enlightening and liberating. Both the lead actors Chirag Malhotra and Pranay Pachauri are aptly cast.

  • Arbaaz Khan and Varun Sharma deserve a special mention for they are hilarious. The girls look pretty and the samandar song is beautiful but if you want to see the film solely for Kapil’s brand of humour, you get babaji ka thullu.

  • The whole exercise of presenting these twin stories with the same protagonist displaying contrasting behaviour is interesting. However, the motive of the crime itself is too cliched and the chase has zero thrill or suspense. Instead of making you nervous, it makes you go to sleep.

  • Lead actors Teeshay, Tara-Alisha Berry are perfectly cast as they do a commendable job, despite being newcomers. We wish the story and dialogues had more substance like its iconic Hollywood predecessors for us to feel for their characters. The film may not be ‘perfect’ per se but has its heart in the right place. The cinematography deserves a special mention as well.

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