• Mubarakan is designed as a family film where comedy is generated through quarrelling relatives. This works initially but goes out of control later.

  • This forgettable 138-minute film can be better described as this one-liner somebody whispered in the dark right before the end credits: Ye sab alag hi zone me hain (They’re in a different zone).

  • It’s a cliché, but no other word can sum up Jagga Jasoos better: Cinematic. Well, that’s it. Jagga Jasoos is the most ‘cinematic’ film you have seen in the recent months. Plunge to never come out of the world of Jagga Jasoos.

  • Nothing can save this Paresh Rawal, Kartik Arayan film when it features songs on farts.

  • Nothing can save this Paresh Rawal, Kartik Arayan film when it features songs on farts.

  • To give credit where it’s due, Mom does fan the audience’s anger against people who indulge in anti-women crimes. However, it never intends to create a full-blown fire that would change the attitude of potential criminals in such situations. Instead, Sridevi takes it upon herself to deliver justice – thereby undermining the authority of law and related machinery. This is where Pink excelled.

  • Tubelight, as Salman Khan is fondly called in the film, completely plays to Khan’s strength of adapting a Boy Scout on-screen. Kabir Khan picks up a universal message and wraps it up in an entertaining Bollywood film.

  • Raabta lacks the finesse required to pull off a theme like this, but it is definitely good to look at. From Budapest to colour blasts during flashback scenes, it features some captivating moments. Sadly that doesn’t seem enough.

    Poor writing is Raabta’s nemesis provided you don’t want to settle for a ‘being there’ done that’ kind of a story.

  • Sirsha Ray’s camera work helps set a gloomy, mysterious, dark (not sinister) mood. The choice of locations and background scores does the rest. For the want of a better word, A Death In The Gunj has a ‘distinct’ feel.

    Konkona Sen Sharma’s film is a successful experiment despite loopholes. And it is brave.

  • I wiped my eyes when the same footage played inside the theatre, I won’t deny that, but that’s mostly because of the nostalgia attached to my teens. It’s reliving the Sachin magic, not a perfect docu-drama on him. Still enough to bring you to the theatres. We have been doing it for years. Maybe one more time.

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