Subtleties and nuances are obviously beyond Maatr. It deals solely in broad strokes. No matter how much slack you are willing to cut this film, it will still need some more in order to have its glaring gaps glossed over. It’s never easy to disguise a garbage dump.

Sonakshi’s film shows the mundane but essential pursuits of an ambitious but confused middle-class girl…

Vidya Balan could count this performance as another feather in her already overflowing cap…

Naam Shabana, for all its avowed aspirations, it rarely ventures beyond the trite and tested. Watch it only if standard-fare action dramas do not put you off.

Alia Bhatt and Varun Dhawan’s film is a pulpy, uneven romantic caper that strives to pass itself off as a mellow tale of patriarchy, love, honour and ambition

Commando Karanvir Singh (Vidyut Jammwal) is a superhero-crusader without the Superman costume. His guiding principle is: Jab tak jaan hai koshish karte rehna hai. He tries too hard. It weighs down the film

Taapsee Pannu and Amit Sadh’s romantic comedy could have been a laugh riot had it been half aware of where it was headed. It is let down by blotchy writing, is a pointless crawl

The film delivers many a riveting moment and is bolstered by the talent of a few capable actors. Its plot however, is devoid of any mystery…

Imagine yourself in the place of the lion. If you don’t find your innards in a knot by the end of the film, your head will certainly be in a spin. You won’t, for sure, be breaking into dance.

Some of the action seems far-fetched and the way Rohan uses his ability to mimic voices in order to create disarray among the cops and the thugs is near-farcical.

Yet, when he gets down to committing the perfect crime, leaving no trace behind of the destructive act, Kaabil acquires some momentum and heft.