Go for Lust Stories as it explores the less charted plane of female desires and the acceptance of lust, from filmmakers of an industry which relies more on romance and love, in every form. Mind you, the film will make you question the intermingling realms of love and lust, maybe not in the most flattering way, but in an attention-grabbing way, for sure.

Overall, Motwane did try to bring a rather relatable and noble topic upfront without being too preachy. However, the execution couldn’t convey the emotions of the writing completely and sloppy editing makes it a slow take-in rather than a thrilling vigilant watch.

Intense, emotional and unnerving at the same time, the sensitivity and emotional quotient of the characters- especially Alia’s Sehmat makes Raazi a gripping watch that keeps your mind and heart on the edge, till the end.

Overall the film is uneven, half-baked disappointment, which completely wrecks the talent of Abhay, Patralekha and even Chadha. They all deserve better than this. We all deserve better than this.

Varun Dhawan Proves His Worth In Shoojit Sircar’s Poetic Lovestory…Once again it’s the story and the flow of the narrative that wins your heart. There are long pauses and silences with shots of corridors, or ground, with no activity, and in this stillness, you find the rhythm of the story. Varun Dhawan justifies himself under Shoojit Sircar’s supervision in October.

Overall, the film is a great entertainer in the anti-women genre, but sadly for Ranjan, it is not a proper category yet and thus the film deserved to called a sexist, ‘eye-roll’ worthy ride which will leave you frustrated and angry by the end of it.

The best part of this technologically advanced nation are the women. Fierce, bold, tech-savvy and decision-makers, the Wakandian women are the closest Marvel has ever come to portraying real-life females and that makes Black Panther a standout in a crowded Universe.

Christopher Nolan beautifully presented the military side of Britain’s most vulnerable rescue mission in Dunkirk, where the narrative became the lead, Joe Wright gives it all to Oldman in Darkest Hour. You live the mission alongside Churchill, getting into his skin and his fears and sympathising with him to a point that when the last frame ends, your heart fills with pride, only to realise the massacre the real man brought in your own country. Isn’t this an example of brilliant and successful storytelling?

Paddington 2 might just be the film a brittle, bothered world needs right now. Full of warmth, compassion, and kindness, this well-mannered bear is an ideal reflection of an ideal world.

Alas! Another shot of a terrifying experience lost in the dark dungeons of repetitive Hollywood horror genre.