• In case you are looking for laughter punctuated by sudden horror, lovely dialogues and illogical scenes, you should watch this one. If not, maintain silence as well as distance.

  • Horror is a six-letter word beginning with a ‘h’ and ending with a ‘r’. Just like humour. ‘Alone’ is worth laughing with too.

  • …the effort comes across as drab pretending to be cool. The third instalment of ‘Night at the Museum’ (‘NATM’) undoubtedly falls under such category.

  • Main Aur Mr Right has much more to offer owing to several interesting elements — not just in terms of its story — that come across as a whiff of breath air. The sad part is they fizzle out either due to lack of depth in execution or plain ignorance concerning stark loopholes. A tighter film, featuring actors who can actually act, would have served the script better.

  • It’s only after intermission that the story picks a bit of a pace and ambles to a more effective arena. But you still keep guessing what’s going on; that’s the beauty of this film. It lacks the punch but keeps you glued.

  • By the time the credit rolls, it’s evident that the intention of the film is to throw light on the depleting number of tigers in the country. But the journey to get the message is too slippery and full of loopholes. However, if you’re looking for a series of inadvertent laughs, then you’ll do just fine.

  • Identity Card would have made greater impact if it were presented as a short film instead of a full-length feature.

  • If a visually pleasant film made at low production costs is something that excites you, then Fading Gigolo is what you should watch. If you’re looking for titillation or a boisterous comedy, stay away from this one.

  • Kaanchi lacks what Taal had: soul. The film seems to be in an unnecessary hurry and to be fair, its running time shouldn’t have exceeded two hours.

  • There is enough suspense to keep you glued to your seat. But if it wasn’t for the usual dose of naach-gaana and the same old ‘mafia gimmicks’, this film could have been crisper. The first-half meanders aimlessly while the second half is fast paced.

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