The film gives a strange sense of comfort as it begins. A script so beautifully rare, ‘Waiting’ makes you happy when it begins.

Omung Kumar has a solid plot in ‘Sarbjit’. This biopic, unlike the earlier one he made on Mary Kom, is not of the triumphant survival saga of an underdog. This is a story of Sarabjit Singh, a farmer, who, on a fateful night, is said to have just wandered off across the border in drunken stupor, never to return home as he gets caught by the Pakistani cops, tortured and kept in jail for 22 years.

‘Azhar’ is clearly made as an attempt at redemption for the tainted cricketer and India’s ex-captain Mohammad Azharuddin. Unfortunately, you walk out of the theatre with no emotions, no sympathy, except for remorse at having wasted another two hours of your life on a strictly mediocre film.

This could have been a better film dealing with a real issue, but sadly, the script and direction did not seem confident enough to deal with it.

Even though Arunoday can barely pass off as a young student in his early 20s, he is earnest and gives a decent performance. Kher yet again shows his brilliance as an actor as you want to believe him even when he is spouting the most unbelievable, silly lines in the film. Joshi reminds us of the naturally talented actress that she is, and one wishes to see more of her.

This could have been a far better film, with better sense of emergency and tighter editing.

Forget the rest, watch this film for Tiger Shroff. There is no one who fights like Tiger Shroff and it looks like we have finally found a genuine martial arts star. Hope he gets more such roles to do justice to his dedication.

While the first half is smooth and keeps you involved, the second half falters at many points and the climax seems too convenient and hurriedly wrapped up.

For what is touted as a comedy movie, this one is outrageously unfunny. In fact, I don’t remember a single second when I even as much as half smiled through this painful ordeal.

While the central plot offers much promise, the film in itself stretches it too far and tends to get slow, meandering and repetitive at many points. What could work against the film is also the heavy Haryanvi lingo-peppered dialogues, which could be really difficult to decipher for the audience that doesn’t belong to the Northern belt.