Director Fuwad Khan should get the credit for choosing a sensitive subject with the right kind of intention, but unfortunately, the end result is far from what it could have been.

Don’t miss it. Even if just to go back to the magical world of nostalgia created so beautifully and earnestly by Banerjee and cinematographer Nikos Andritsakis.

If one has to point out drawbacks, some of the twists in the story seem too convenient and the second half dips a wee bit in energy as compared to the first half. But, overall, the choice of locations, the performances and the brutally honest take on a story that needed to be told, makes this film a hell of a scary ride but absolutely worth it. Don’t miss it.

One of the best romantic comedies to come out of Bollywood, ‘Dum Lagaa Ke Haisha’ steadily grows on you and warms the cockles of your heart even before you realise it. By the end of it, you might just want to go and hug the people in your life who you otherwise take for granted.

What you mainly take away from this movie is its core; a story that tells us that most often the situation is the villain. And, perhaps, each of us is capable of turning a criminal when faced with an extreme situation.

What definitely doesn’t work for ‘Roy’ is its self indulgence. The film starts meandering after a point, and the second half is stretched too long testing one’s patience. It is as irritating and boring as a sexy confident woman who ceaselessly takes selfies to repeatedly remind the rest of the world about her beauty. But then there are those glorious songs with melody just right for this sexy, stylish movie that manages to gets your straying attention back to the screen.

Clever filmmakers heavily bank on the curiosity factor that a given incident (in this case, the double murder) generates, but fortunately this film keeps you interested and thrilled through its just about two-hour running time.

The film works on many levels; effective lines, some laced with dead-pan humour, the break-neck pace, near-perfect casting and minimal melodrama.

Made with a humongous budget of Rs 180 crores (worth every penny), ‘I’ is certainly a big screen experience. Watch it to believe it. And yes, watch it for Vikram, not just for the fabulous actor that he’s but also for the fact that he’s literally gone out on a limb for this role.

…must say that this film manages to deeply disturb you, mildly depress you and tag along with you for a long time even after you come out of the theatre. That obviously is Kashyap’s intent.