Top Rated Films
Srijana Mitra Das's Film Reviews
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…this delightfully roguish romance tickles everything fun-loving inside you.
That’s what makes it so khoobsurat.
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Finding Fanny is funny, dark, yet bright, a shimmering ride through a Goa far from the tight-rooted Trikal, the touristy Dil Chahta Hai. Its drama keeps surprising – but also meanders, including around an overacting Russian and an unnecessarily macabre cat. It evokes an Almodovar-Anderson-Marquez-in-Goa feel, but occasionally, its cleverness grows obvious while little details – catch the changing colours of Ferdie’s petrol can – are overlooked.
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The story packs in paisa, pyaar, confidence, over-confidence, chummas, chases, corrupt cops, cricket associations, surprises and some rather nice songs – but keeps its weight under control. Despite flaws – like how a don like Vardha doesn’t know the face of a man he’s seeking, who’s now persuading him to buy a non-existent team – Raja Natwarlal wins you over by the sassy swagger of its tricks, its hit-men and ‘HDMC Bank’, its tongue lodged firmly in its cheek. Go watch – this one is, ahem, definitely worth a kiss.
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Wes Anderson is Hollywood’s Lewis Carroll – and The Grand Budapest Hotel is his Wonderland. Set in the imaginary Eastern European republic of Zubrowska, in the delicately hysterical years between two World Wars, the Grand Budapest Hotel is a lacy handkerchief of nostalgia, a naughty piece of silky lingerie – and a dagger soaked in blood.
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Straight on, Kick is Bollywood biryani, a masala movie spiced with the superstardom of Salman Khan, garnished by charming Jacqueline, smouldered over the wry talent of Randeep Hooda. Kick is not for lovers of fine filmi foie gras, but for those who want a hearty Eid banquet to enjoy.
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…quibbles aside, Bobby Jasoos is a clever and joyful film. Should you watch it?
Elementary, my dear friend.
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The result’s like a minty chewing gum that’s been stretched too long. Shedding 30 minutes and some jaded gags would make Humshakals consistent fun – now, you laugh but also frequently go, ho-hum.
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The result is like a soggy Delhi chaat where potentially spicy ingredients make a sorry mess. As F*ugly would phrase it, quite a f*waste.
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So, Citylights is based on Sean Ellis’ acclaimed Metro Manila, but it also unlocks the doors to other movies in your mind. This is both a strength and drawback for this remarkable film.
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Heropanti is enjoyable. The climax pumps up the action, featuring shirtless Tiger, crouching Rajjo. The tale has a twist as graceful as Tiger’s flips and you do agree when Tiger suggests, ‘Mere naal tu whistle baja.’