…is zany and funny, an Uttar Pradesh take on Sholay’s Jai and Veeru, ‘twice-born’ in Lucknow as Raja Mishra (Khan) and Rudra Pratap (Shergill). BR is a racy ride, cynical, yet sweet, dark, yet bright. Go watch – you’ll enjoy those bangs in the dark.

Its finesse qualifies this charmer as India’s potential entry to the Oscars, The Lunchbox an unusual banquet, raising a bitter-sweet toast to life.

Showing true Satyagraha has no short-cuts, it also shows solutions glimmering ahead, as ephemeral, yet powerful as a rainbow cleansing the dust.

Straight up, Madras Cafe couldn’t be more different to director Shoojit Sircar’s Vicky Donor. Political, tense, finally explosive, Madras Cafe is no picnic in the neighborhood park.

Straight up, D-Day is explosive at three levels. The plot crackles. The acting sears. And the music flares with passion. Catch it – this ‘D’ company denotes both debate and desh-prem.

Minus 30 minutes, YPD 2 could have been much funnier – and much shorter.But despite two pretty heroines, three Deols and an assortment of nutty buddies, YPD 2 frequently stumbles into blunder-land.

…Gatsby is greedily gorgeous and occasionally sags, luxuriating in a 3D-theatric too many. Still, it showcases Fitzgerald’s drama with flair – a society dancing on a knife’s edge, where everyone drank and romanced too much, but you also heard an odd, wistful sigh – maar daala.

So, BT’s a good experiment, celebrating movies, mindsets and Mumbai’s moods – but it isn’t the coolest film doing so. Woh picture abhi baaqi hai, mere dost.

You will not like this movie if you don’t like corny, occasionally bawdy jokes.

Jolly LLB works because of its bigger point – decency is for all and worth fighting for. Using bittersweet satire and plot twirls, the film shows corruption even used against the corrupt. Despite that weaker first half, this truly becomes a Jolly good show.