• Sadly the stylish packaging and striking cinematography remain unsupported by the plot and characters. Neither are interesting or dangerous enough to be endearing in their immorality.

    Sorry, it just doesn’t add up.

  • Guns, girls, grime and glory come together in a layered tale of corruption, politics and kinetic camaraderie.

  • There is a virility and fluency to the storytelling. Singh Saab The Great is a homage to the cinema of the 1980s when Sunny was the daredevil determined to bring on a social reform. Somewhere, that hero lost his way. It’s good to have him back.

  • What a Diwali dhamaka this is!

  • This is a fast-paced, zany, full-on masala fare. There is a tempting swagger to Akshay`s performance matched by the narration`s tidal tempo. Irresistible energy and endearing gusto underline the show`s voracious appetite for a comic kill.

  • This film gives a nimble twinkle-eyed satirical slant to the scourge of war. Warm and well-packaged with intelligent performances, War Chodd Na Yaar flounders when it abandons the human aspect to get into the nuclear zone.

  • For a film about losers “John Day” proves to be a paradoxically profitable movie-viewing experience for the audience.

  • This is one remake that stands tall and lithe. It is manned by a manful supply of action and yet manages to keep the machismo understated. Breakneck-paced, adrenaline-pumping, pulse-pounding — Lakhia’s deconstructed version of the Prakash Mehra film is a full-on pacy paisa-vasool entertainer with brio and balls.

  • This is arguably the best political thriller that Bollywood has so far given us.

  • This enjoyable film is a surprise. It sparkles with original wit directed at lives that would have been truly sad if they weren`t so funny.

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