Khamoshiyan slips into a hopeless mess of time worn ghost busting, freakish sights and comical gems like ‘Hum yeh laash paidal nahi le jaa sakte.’

Dolly Ki Doli’s ambiguous, unapologetic tone favours the overall whimsy narrative and its aversion to melodrama…

Unless watching Raj Babbar’s most restrained performance since forever is enough to dole out the price of admission, I’d recommend you grab a copy of Okkadu. Even without subtitles you’ll find it way more engaging.

Beneath its vibrant bouts of humour, PK mocks at the societal arrangement we have grown apathetic to. Those jokes are ultimately nothing but PK’s sarcasm at the expense of our collective desperation that wagers to chance and dubs it a miracle, rejoices in disparity, exhorts fear and has forgotten their fundamental right to question.

When PK works, it does with great merit, spunk and surprise.

When it does not, it meanders, sermonises and guilt trips exactly in the tone of the one it reproaches.

Almost one hour of the feature’s 144-minute duration is dedicated to lavish combat and a crucial turnabout in allegiance — a rather awkward stage in the narrative — handled with great tact by its quick-witted director.

Zed Plus may not be perfect but it doesn’t insult your intelligence like most Friday fare.

Kill Dil has random songs, birdbrained logic and a romance that’s about as exciting as toothpaste…

Whenever Akshay appears on screen, The Shaukeens transforms into another movie — one that’s substantially more comic, cheeky and winsome — it’s the one I enjoyed the most, it’s the one I wished I had come to see.

Super Nani comes pretty close to breaking the record rona dhona in that Juhi Chawla melodrama called Saajan Ka Ghar.

Haider is bewitchingly clever…And it will haunt you long after you’ve left the theatre…