• Desi Kattey is an insipid mishmash of just about every script engaging two friends going separate ways meets underdog sports hero.

  • Daawat-E-Ishq is like an exuberant menu of a newly opened restaurant that’s eager to please with its spread of scrumptious offerings that balances crowd-favourites with substance.

    While the sides are undercooked, the entree leaves an enjoyable aftertaste that owes much credit to its spunky actors and rest to Habib Faisal’s crisp script and direction.

  • Finding Fanny is a fine blend of soulful musings and nuanced filmmaking. And I welcome this clutter breaking space, the First Lady of Pocolim and the Casanova of Konkon with all my heart.

  • I would have liked if the film didn’t so shamelessly exploit my patriotic sentiments to afford it respect in its final scene. I would have liked something much more than this mediocre account of a magnificent reality.

  • Faux feminism aside, Mardaani is mostly a middling action thriller. If only the script weighed more in intensity of thoughts than stagy heroics and simplistic resolutions, it could do a lot more for women in the film industry if not society in general.

  • Singham Returns offers quite a bit to whistle about with its steady supply of straightforward action and a hot-headed hero who delivers a punch with a fist and a line…

  • Barns and buildings, trucks, buses, cars (no cow this time) are sucked into the feverishly spinning cyclone’s mouth till the screen transforms into a kinetic explosion of environmental fury.

    Some of these frantic images coupled with exceptional detail to sound, especially the waltz of the planes and the blazing tornado are truly spectacular and salvage Into The Storm from being a complete (since we’re on the subject) disaster.

  • Sajid-Farhad’s first film is mostly a garrulous, occasionally comical farce that intermittently serves as reminder that in the search of “entertainment, entertainment, entertainment” one can always rely on the delightfully loony Johnny Lever. Entertainment is best when it isn’t trying to force laughs out of us with its desperate attempts at wit…

  • Despite four screenplay writers’ and Salman Khan’s best efforts, Kick fails to impress…

  • A stale plot with flatly executed scenes of retribution and a lacklustre leading lady; Hate Story 2 is too trivial to be erotic or thrilling…

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