Top Rated Films
Sukanya Verma's Film Reviews
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Grown up angst is a valid and neglected aspect of our storytelling. Except Menon’s digressing exploration of it feels more dull than delicious.
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Varun does the best he can. But it is like the orange jeans he wears, resembling Salman’s in Judwaa. Only this one is ripped in places.
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By the time it gets on to display Dutt’s aggression and Hydari’s token participation against a red and yellow-themed climax featuring a miraculously accumulated crowd of village women in colour-coordinated costumes, Bhoomi’s blood-splattering, bone-crunching vigour is as unwelcome as the rest of this ghastly movie.
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The film doesn’t make any significant statements on the legal system or rehabilitation beyond tedious displays of violence or stray moments, like when the out-on-parole convicts realise they are unwelcome, unfit for the world that has moved on without them.
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Poster Boys’s school play enthusiasm never aims above a low IQ comedy expecting us to guffaw at the sight of Bobby, his wife and kids wearing the same set of bright yellow, Hello Kitty-print pyjama suits.
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Things get truly down and dirty towards the end. Which is to say the concluding 20 minutes of Baadshaho are so hazy and dusty, I found myself mentally vacuum cleaning the screen.
I wish to do the same to the memory of this movie.
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It only works well when it allows Akshay Kumar’s influential charisma and Bhumi Pednekar’s fiery spirit to use their instinctive humour, warmth and spontaneity to build a relationship that’s based on something more sound and striking than the sight of Sudhir Pandey’s pee.
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Jab Harry Met Sejal has the stars, the songs, the scenery and everything you’d imagine in a love story.
But in the absence of soul, none of it really matters… -
Munna Michael’s hollowness is as striking as Tiger’s chiselled torso, one that he freely bares in everything from an unzipped hoodie to a doily masquerading as a shirt…
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Despite broaching on the politics and power play of homosexual relationships and noting the inconsistency of acceptance, Shab is coy about sexuality and sleepy in its reflections of loneliness to get anywhere.