HIGHWAY is a triumph for Alia Bhatt, who delivers a marvelous performance. Also, what you carry home, besides Alia’s winning performance, are the stunning visuals, especially towards the second hour. But the treatment of the written material restricts its appeal largely. The connoisseurs of cinema and a tiny segment of the movie-going audience may go ga-ga over the film, but there’s precious little for the large base of mass audience that’s looking at the entertainment quotient from the maker of hugely admired entertainers like JAB WE MET and LOVE AAJ KAL.

GUNDAY has a credible story to tell, is packed with unexpected twists that keep you on the edge and offers entertainment in large doses. This racy, gripping masala fare is sure to hit the pot of gold at the box-office!

…is a bright-and-breezy, charming and refreshing rom-com that makes you smile, laugh and gets you moist-eyed at regular intervals. A qualitative film that warms the cockles of your heart. Go for it!

…made with a lot of heart, but appears partly engaging. Shekhar Suman, the director, knows his job, but the writing lets him down. However, what you carry home is the wonderful performance by Adhyayan.

…an out of the box film like ONE BY TWO has some engaging moments, but they are few and far between. The excessive length and the slow pacing also play a spoilsport.

On the whole, a noble, well-intentioned message narrated in an entertaining format in a Salman Khan movie, who, as we all know by now, is the much endeared hero of the masses, makes JAI HO a sure-shot winner. In fact, it won’t be wrong to state that JAI HO easily ranks amongst Salman’s better films. This one has the potential to emerge a Blockbuster at the box-office.

The effort is to make a hatke love story, hence the team tries to pack just about everything on the shelf: romance [also mandatory songs, skin show and lip locks], adrenaline pumping action, bike stunts et al. However, despite cramming the film with the staple ingredients to woo the spectators, the impact is sorely missing because it appears forced in the scheme of things, instead of seamlessly flowing in the narrative. KARLE PYAAR KARLE is a dull and dreary fare!

MISS LOVELY is worth a watch for its taut screenplay, fine performances and the detailing that has gone into recreating the bygone era. At the same time, it caters more to aficionados of meaningful cinema!

…has a gripping second half, smash hit musical score and the youthful romance that should lure and entice its target audience — the youth. A treat for youngsters and young at heart!

…a worthy follow up to the widely admired ISHQIYA. Powerful writing, superb direction and outstanding performances make DEDH ISHQIYA a must watch. Just don’t miss it!